Vineyard-II, 2021

by Esther Medir

Painting : ink 100 x 70 x 0.1 cm 39.4 x 27.6 x 0 inch

$1,660

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Medium

Dimensions cm inch

100 x 70 x 0.1 cm 39.4 x 27.6 x 0 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: Spain

The countryside and horizons where the atmosphere intensifies on the vines coincides with the gentle idleness of the land, producing the longed for and pampered harvests of the last weeks of summer. Shared vineyards, where the vine is cared for and worked on, patiently waits for the fruit, fruit that does not diminish, but rather keeps maturing until the desired result is reached: the grape harvest. The “terroir” would be the soul, which feeds and waters the fruit during its time on the vine. The land is considered to be the most important element, the foundation that guides the vine to find meaning. The deeper these roots go, the greater the possibility of making a high quality wine. Aroma and soul, indissoluble concepts, come from the air, the ground and the water. A perfectly balanced relationship between these elements results in a unique vintage. The vine-grower, like the artist he is, interprets his natural surroundings with patience, sensitivity and conviction. He respects its identity. An emotional bond with the “terroir”, or the lack of one, is conveyed through every sip of wine. Wisdom and age-old tradition will continue to guide its true spirit.
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About the seller

GALERIA AZUR • Spain

Artsper seller since 2021

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Collector’s Guide

Imagine it at home

Esther Medir, Vineyard-II
Esther Medir

Esther Medir

Spain  • 1972

Extracting elements from a concrete idea and then letting part of my emotional and intellectual thoughts flow through them is how I express myself. I understand creativity as diverse connections expressed by line, stain and colour. I am fascinated by the way a line and a spot of colour or matter are incorporated into the space on the paper, and with the variations that this involves. I am inspired by nature as a continuum, its horizons, atmospheres, light …. Geology in the widest sense, going from the global to the specific, from the cosmos to the rock with its veins. I am also inspired by philosophy, and botany seen as a science with a spiritual load. Etching inspired me because it is a technique which has its own rules, where the result is often uncertain. This magical and unexpected part of the procedure means the emotion nearly always exceeds the rational idea. The smell of the ink, the textures of the paper and the plates covered in ink give it a special charm. Working directly on the metal plate, dry point with its velvety strokes means the process is almost infinite, because with every repetition, new questions, doubts and nuances need to be resolved.


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