Arlparra Country AP661/07 (5), 2007

by Angelina Pwerle Ngala

Painting : acrylic 180 x 182 cm 70.9 x 71.7 inch

$11,065

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: acrylic

Dimensions cm inch

180 x 182 cm 70.9 x 71.7 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Figurative

Abstract art

colorful

Figuration narrative

orange

Dark blue

Artwork sold in perfect condition

Artwork location: Australia

Alongside her works of country Angelina Pwerle Ngala produces strong, colourful figurative works of women in ceremony.
Her figurative work features Athamarenye-spirits of the country - which are small creatures who live where there is no fire. Angeline’s Athamarenye paintings depict the women in preparation for singing and dancing with witch doctors to draw sickness out of those touched by the Atham-areny creatures.

Her work has been collected by many significant public and private collections including the Holmes á Court Collection, the National Gallery of Australia, National Gallery of Victoria and the National Museum of Art, Osaka, Japan.

T
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About the seller

Professional art gallery • Australia

Artsper seller since 2022

Vetted Seller


Collector’s Guide

Imagine it at home

Angelina Pwerle Ngala, Arlparra Country AP661/07 (5)
Angelina Pwerle Ngala

Angelina Pwerle Ngala

Australia  • 1946

Angeline Pwerle Ngala has come into international prominence with her interpretation of her Dreaming, the Bush Plum (Arnwekety) and her figurative paintings of women's ceremonies.

Angeline Pwerle Ngala's career began in 1988 when she became part of the Utopian batik project and her work from this project is featured in the Robert Holmes á Court Collection. She began experimenting with acrylic paint on canvas in 1988-9 as part of the Central Australian Aboriginal Media Association's project - The First works on Canvas, A Summer Project with the Utopia Aborignal women from Utopia. From this moment her output flourished.

Her paintings of her country and the bush plum can be viewed as landscapes. The changes in the depth and intensity of her dot-work produce a multi-dimensional textured surface. 

Collections: 

The National Gallery of Australia, Canberra 

National Gallery of Victoria

Aboriginal Art Museum, The Netherlands. 

The Holmes a Court Collection, Perth 

The National Museum of Art, Osaka, Japan 

Artbank, Sydney 

Commonwealth Law Courts, Melbourne. 

LaTrobe University Collection, Melbourne 

Gallery of Modern Arts, Brisbane 


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