Dynamique des Fluides, 2018

Dominique Blais

Painting : oil, Water 39.4 x 39.4 inch

$7,088

One of the last works available by this artist

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Dominique Blais, Dynamique des Fluides

About the artwork

Artwork sold in perfect condition

The artist has endeavored to reproduce in this work a principle of random traces such as the oil stains present on the asphalt of our cities. The canvas was produced by letting oil paint, mixed with golden pigments, slowly flow over a tarmac surface, until it formed a stain similar to motor oil. The production technique is reminiscent of a painting in the making and the work aims to capture the physical nature of color. Light mixes with dark matter to explore its own limits and unveil areas of unexpected shine according to the viewer's movements.
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About the seller
Xippas • Paris, France

Artsper seller since 2017

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Vetted Seller

Medium
Painting: oil, Water
Dimensions cm inch
39.4 x 39.4 inch
Framing
Not framed
Type
Unique work
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Hand-signed by artist
Tags

Cave

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The artwork is available for pickup from the gallery in Paris, France or can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery

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Dominique Blais

Dominique Blais

France • Born in: 1974

Emerging artists

Painters

Designers

French artists

Dominique Blais was born in 1974 in Châteaubriand, France. He lives and works in Paris. From the very beginning of his artistic practice in the mid-2000s, Dominique Blais has always developed his work in light of contextual logic. Space, temporality and constraint (s) are thus the subjects and / or the objects that the artist invests and questions in order to develop a conceptual and formal response while working with the predominant elements of his approach: the sensitive and physical perception of our environment, the report to the invisible and the inaudible, or, amongst others, the materialization of time. The question of materials, both physical and evanescent, is substantial in his work. Not limited to a particular eld, he expands his visual vocabulary through the use of a great range of mediums and techniques (drawing, ceramics, photography, installation, sound, video, etc.) that allows him to conceive and elaborate proposals echoing the problems of his research process.
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