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Art Grafts

Fish Can, 2011

Photography : C-print, metal 16 x 20 inch


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Art Grafts, Fish Can

About the artwork

Artwork sold in perfect condition

Fish Can is part of the 'Surreal Fishions' series - a collection of wry observations on the global food industry. A digitally modified fish supper for the digital age which took nearly twenty years to prepare! The picture of the sardine can was taken on good, old-fashioned film in the UK in the early nineties and the rather sad-looking fish was 'captured' digitally in Thailand in 2011. The two images were happily married in a computer in the same year and are still together. Chromogenic print on Fuji Crystal Archival paper. Paper size - 20" x 16" (51 x 41 cm) Image size - 18" x 14" (46 x 36 cm) Signature written in black ink rear lower left under hand-numbered gallery stamp. Certificate of Print Authenticity. Condition - Mint. Ships rolled in a large PVC tube. Please Note - the edition number of the print you receive will not necessarily match that shown in the listing photographs.
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About the seller
Professional art gallery • Roi-Et, Thailand

Artsper seller since 2017

Vetted Seller

Photography: C-print, metal
Dimensions cm inch
16 x 20 inch
Not framed
Numbered and limited to 50 copies
1 copy available
Work sold with an invoice from the gallery and a certificate of authenticity
Signed artwork






Worldwide delivery

The artwork can be delivered to the address of your choice within 1 to 2 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: Thailand Find out more about delivery

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Works in prints from Art Grafts
Art Grafts

Art Grafts

Thailand • Born in: 2011

Photographers Artists

Printmakers Artists

Thai artists

Art Grafts saw the light of the day in 2011 in a little provincial town of Roi-Et in the North East of Thailand. It was the unique idea and alter ego of the English Fine art photographer Dominic Rouse, who is known for his black and white surrealistic photos. Art Grafts was created in order to clearly differentiate between the personal artistic portfolio, often unsettling and the artist's accessible commercial work.
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