Pop Gun, 2020

by Jammie Holmes

Print : pigment ink, print 50.8 x 40.6 cm 20 x 16 inch

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9.6/10

About the artwork

Type

Numbered and limited to 150 copies

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: pigment ink, print

Dimensions cm inch

50.8 x 40.6 cm 20 x 16 inch Height x Width x Depth

Framing

White wood frame

Artwork dimensions including frame

58.4 x 48.3 cm 23 x 19 inch


Artwork sold in perfect condition

Artwork location: United States

Medium: Archival pigment print on 290 gsm 100% cotton archival paper
Notes: Custom Framed in Flat White to Fit, with Acid Free Spacers
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About the seller

End To End Gallery • United States

Artsper seller since 2020

Vetted Seller

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Collector’s Guide

Imagine it at home

Jammie Holmes, Pop Gun
Jammie Holmes

Jammie Holmes

United States  • 1984

Masterpieces

Jammie Holmes is a self-taught painter from Thibodaux, Louisiana, whose work tells the story of contemporary life for many black families in the Deep South. Through portraiture and tableaux, Holmes depicts stories of the celebrations and struggles of everyday life, with particular attention paid to a profound sense of place. Growing up 20 minutes from the Mississippi River, Holmes was surrounded by the social and economic consequences of America's dark past, situated within a deep pocket of the Sun Belt, where reminders of slavery exist alongside labor union conflicts that have fluctuated in intensity since the Thibodaux Massacre of 1887. His work is a counterpoint to the romantic mythology of Louisiana as a hub of charming hospitality, an idea that has perpetuated in order to hide the deep scars of poverty and racism that have structured life in the state for centuries.

Despite the circumstances of its setting, Holmes' work is characterized by the moments he captures where family, ritual and tradition are celebrated. His presentation of simple moments of togetherness and joy within the black population that nurtures the culture of Louisiana has made him an advocate for this community. Holmes' paintings fall somewhere between realistic depiction and raw abstraction, incorporating text, symbols and objects rendered in an uncut style that mirrors a short transition from memory to canvas. He often references photographs from home, but also draws heavily on his own recollection of moments and scenes and works quickly to translate his emotions to paint.


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