Hexapod Drowsy Lantern
Sculpture - 40.2 x 29.1 x 27.2 inch
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Sculpture : clay, gold, mixed media 11 x 6.7 x 4.7 inch
Free returns within 14 days
Authenticity guaranteedLearn more
Hand-signed by artist
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Sculpture: clay, gold, mixed media
11 x 6.7 x 4.7 inch Height x Width x Depth
The sculpture cannot be displayed outdoors
Artwork sold in perfect condition
Artwork location: Lithuania
About the seller
Professional art gallery • Lithuania
Artsper seller since 2015
Sculpture - 40.2 x 29.1 x 27.2 inch
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Tomas Dauksa is an artist of the young generation, currently a postgraduate student of the Vilnius Academy of Arts. From 2009, he has been an active participant in group exhibitions in Lithuania and elsewhere, and has held several solo exhibitions. His works have been presented in international contemporary art fairs and important art institutions (Contemporary Art Centre (Vilnius), National Gallery of Arts (Vilnius), Klaipeda Culture Communication Center). In 2013, Dauksa became a recipient of Ary Stillman fellowship.
In his work Daukša is interested in the relations between various systems and their elements. The artist either himself creates or observes the already existing systems – electronic, biologic and communal. With a scientist's dedication he documents the phenomena that are taking place there, creates models and mock-ups, experiments with physical phenomena (sound and light). Yet, unlike scientists, the artist does not seek objective proofs of a statement or a fact. His research always leaves some space for mystery, omission, imagination and chance. As a researcher, he quite frequently does not keep the distance from a research object, and affects the systems that he creates or replicates, thus influencing the course of the research. The viewer also often gets involved in the play with facts and fiction. Thus the result is often unpredictable, different each time and not necessarily important – attention is focused on the process itself, and the temporal and cyclical character of the research, action etc. is emphasised.
Having started to study painting, today Dauksa has expanded the range of his work and presents his research in various forms – sculptures, paintings, installations, photographic documents and schemes. Despite his research methods based on scientific logic, he artist dedicates much attention to the visual aspect of his works: volumes and forms, proportions, materiality and spatial arrangement. His works combine an attractive aesthetic form and conceptual contents.
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