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Femme masquée 6
Bruno Fournier
Photography - 80 x 80 x 1 cm Photography - 31.5 x 31.5 x 0.4 inch
$1,790
Coluche - Iconic portraits
Arnaud Baumann
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
$671 $604
Cascades
Erte Tirtoff
Fine Art Drawings - 19.5 x 13.7 x 1 cm Fine Art Drawings - 7.7 x 5.4 x 0.4 inch
$2,237
Natural Flow Series n11
Rosario Briones
Painting - 99.8 x 69.9 x 0.3 cm Painting - 39.3 x 27.5 x 0.1 inch
$1,600
Make Love Not War
Diederik Van Apple
Sculpture - 36 x 16 x 15 cm Sculpture - 14.2 x 6.3 x 5.9 inch
$777
Jean-Marc Barr
Arnaud Baumann
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
$671
Prince, Rio De Janeiro 1991
Bob Gruen
Photography - 61 x 50.8 x 5.1 cm Photography - 24 x 20 x 2 inch
$3,000
Trilogie - Huitres et coquillages de mer
Alexandra Baudin
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$2,517
Phare sous la tempête - Paysage marin figuratif
Alexandra Baudin
Painting - 130 x 89 x 2 cm Painting - 51.2 x 35 x 0.8 inch
$4,530
Théorie sur l'évolution : Poisson en baskets 1
Guillaume Nicolaou
Painting - 67 x 71 x 4 cm Painting - 26.4 x 28 x 1.6 inch
$1,566
Walls & Façades Series #8
Lana Matsuyama
Painting - 200 x 100 x 3 cm Painting - 78.7 x 39.4 x 1.2 inch
$1,986
Lx046. Lisbonne Portugal
Olivier Perrin
Photography - 30 x 40 x 0.2 cm Photography - 11.8 x 15.7 x 0.1 inch
$336
Lx043. Lisbonne Portugal
Olivier Perrin
Photography - 30 x 40 x 0.2 cm Photography - 11.8 x 15.7 x 0.1 inch
$336
Lx036. Lisbonne Portugal
Olivier Perrin
Photography - 30 x 40 x 0.2 cm Photography - 11.8 x 15.7 x 0.1 inch
$336
Primavera / Fracture XIV
Greg Bryce
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,253
Modern Geometric 2
Cátia Goffinet
Painting - 104 x 147 x 0.3 cm Painting - 40.9 x 57.9 x 0.1 inch
$1,901
Le Panthéon (vue de la rue Valette)
Marie France Garrigues
Painting - 55 x 46 x 2 cm Painting - 21.7 x 18.1 x 0.8 inch
$727
Minotaure aux tétines
Yohan Storti
Fine Art Drawings - 35 x 25 x 0.1 cm Fine Art Drawings - 13.8 x 9.8 x 0 inch
$470
Love l’herbe
Yohan Storti
Fine Art Drawings - 35 x 25 x 0.1 cm Fine Art Drawings - 13.8 x 9.8 x 0 inch
$470
Metamorphoses of desire
Vasil Vasilev-Vaso
Painting - 60 x 70 x 2 cm Painting - 23.6 x 27.6 x 0.8 inch
$839
Paysage de chine sur des radeaux en bambou
Ellis Zbinden
Painting - 47 x 67 x 0.1 cm Painting - 18.5 x 26.4 x 0 inch
$12,079
Josep Maria Codina
Josep María Codina
Painting - 20 x 29 x 0.1 cm Painting - 7.9 x 11.4 x 0 inch
$951
Inverno a Burano
Mario Domenicale
Painting - 26 x 36 x 0.2 cm Painting - 10.2 x 14.2 x 0.1 inch
$201
BLACK is the warmest color
Hansol Yoon
Painting - 29.7 x 21 x 1 cm Painting - 11.7 x 8.3 x 0.4 inch
$537
Cimes et racines / Cephalanthra
Akira Inumaru
Painting - 180 x 180 x 2 cm Painting - 70.9 x 70.9 x 0.8 inch
$6,934
Fix you 1
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$425
You
Yohan Storti
Fine Art Drawings - 29.7 x 41 x 0.1 cm Fine Art Drawings - 11.7 x 16.1 x 0 inch
$425
The bitch is back
Yohan Storti
Fine Art Drawings - 29.7 x 41 x 0.1 cm Fine Art Drawings - 11.7 x 16.1 x 0 inch
$425
L'ego
Yohan Storti
Fine Art Drawings - 29.7 x 41 x 0.1 cm Fine Art Drawings - 11.7 x 16.1 x 0 inch
$425
L’invitation au voyage III
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$425
L’invitation au voyage II
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$425
L’invitation au voyage I
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$425
L’important c’est d’aimer
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$425
Hero
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$425
Beau temps sur la Istiklal CD
Serge Salis
Painting - 100 x 70 x 3 cm Painting - 39.4 x 27.6 x 1.2 inch
$3,803
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!