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Save water drink champagne,
Circa 2022
by Aiiroh
Painting : acrylic, aluminium 100 x 100 x 3 cm 39.4 x 39.4 x 1.2 inch
$7,814
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About the artwork
Unique work
Hand-signed by artist
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Painting: acrylic, aluminium
100 x 100 x 3 cm 39.4 x 39.4 x 1.2 inch Height x Width x Depth
Black floater frame
104 x 104 x 3.5 cm 40.9 x 40.9 x 1.4 inch
Artwork sold in perfect condition
Artwork location: Spain
Born in Narbonne in 1987, Aiiroh is a French artist.
He began painting graffiti at a very young age in the train stations of several cities, a place where artists had easy access to huge walls.
Little by little, at the beginning of the 2000s, he began working as a stencil artist, allowing him to proceed more quickly in the street, and thanks to a friend discovered the work of poster artists such as Raymond Hains, Villeglé, Dufrêne and Rotella.
These will become a real obsession for the artist. “I draw a lot of inspiration from this movement which for me has a great poetic dimension! I sometimes spend entire nights wandering around to find and tear down the poster I like.
I am thinking of adding a touch of optimism and color and do not like to politicize my work too much, but today more than ever my artistic practice as a poster designer finds an echo in the 1961 exhibition by Hains which greatly affected: “France torn apart”. In some of his works, he integrates brands to remind us of human dependence on consumer products. The anarchy of the dripping, the turbulence of the compositions stand in contrast with the pure lines of the graphics of the brand logos, but also of the famous LOVE by the American artist Indiana.
Does the graphic force of these logos also have an effect on our collective unconscious as well as on our aesthetic codes? For several years, Aiiroh has already been exhibited in several galleries in Europe as well as on the international scene (Switzerland, Italy, UK, Greece, Israel, USA, Singapore, Hong Kong, Japan).
“Thanks to Banksy and before him Blek le Rat, young street artists like me can have visibility that they would never have had before. Works that were previously intended for a few passers-by in a dark and obscure alley can now be seen by as many people as possible.
Social networks, particularly Instagram, also play a large part in the growth and explosion of street art. I define myself as a street artist but also pop, in the original sense of “popular”, which brings street culture to life. I like to be ironic and play with references and icons that touch and bring my generation together. However, most often I try to keep a spirit of love and optimism.”
Read more
He began painting graffiti at a very young age in the train stations of several cities, a place where artists had easy access to huge walls.
Little by little, at the beginning of the 2000s, he began working as a stencil artist, allowing him to proceed more quickly in the street, and thanks to a friend discovered the work of poster artists such as Raymond Hains, Villeglé, Dufrêne and Rotella.
These will become a real obsession for the artist. “I draw a lot of inspiration from this movement which for me has a great poetic dimension! I sometimes spend entire nights wandering around to find and tear down the poster I like.
I am thinking of adding a touch of optimism and color and do not like to politicize my work too much, but today more than ever my artistic practice as a poster designer finds an echo in the 1961 exhibition by Hains which greatly affected: “France torn apart”. In some of his works, he integrates brands to remind us of human dependence on consumer products. The anarchy of the dripping, the turbulence of the compositions stand in contrast with the pure lines of the graphics of the brand logos, but also of the famous LOVE by the American artist Indiana.
Does the graphic force of these logos also have an effect on our collective unconscious as well as on our aesthetic codes? For several years, Aiiroh has already been exhibited in several galleries in Europe as well as on the international scene (Switzerland, Italy, UK, Greece, Israel, USA, Singapore, Hong Kong, Japan).
“Thanks to Banksy and before him Blek le Rat, young street artists like me can have visibility that they would never have had before. Works that were previously intended for a few passers-by in a dark and obscure alley can now be seen by as many people as possible.
Social networks, particularly Instagram, also play a large part in the growth and explosion of street art. I define myself as a street artist but also pop, in the original sense of “popular”, which brings street culture to life. I like to be ironic and play with references and icons that touch and bring my generation together. However, most often I try to keep a spirit of love and optimism.”
About the seller
Professional art gallery • Spain
Artsper seller since 2021
Vetted Seller
Imagine it at home
Discover more by the artist
Da Vinci Muse par Aiiroh & Namisen
Aiiroh
Print - 75 x 75 x 0.2 cm Print - 29.5 x 29.5 x 0.1 inch
$670
Aïroh is a French artist born in Narbonne in 1987. He paints and draws since he was a child. He started a a career in graphic design, working in France and Switzerland. He is inspired by Pop Art and New Pop Art.
Aïroh uses logos and brands in his works to remind us of our addiction to consumption. The graphic power of these brands has a strong effect on our collective unconscious and aesthetic codes.
Aïroh uses different very contemporary techniques such as Svarowsky crystals, acrylic, stencil, gel.
Read more
Aïroh uses logos and brands in his works to remind us of our addiction to consumption. The graphic power of these brands has a strong effect on our collective unconscious and aesthetic codes.
Aïroh uses different very contemporary techniques such as Svarowsky crystals, acrylic, stencil, gel.
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Aiiroh
Save water drink champagne, 2022
Painting
$7,814
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