Spectral Sway - JALAL TOUFIC'S RADICAL CLOSURE, 2021

by Manar Ali Hassan

Print : digital art, collage, digital print 35 x 25 x 1 cm 13.8 x 9.8 x 0.4 inch

$600
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9.6/10

About the artwork

Type

Numbered and limited to 7 copies

5 copies available

Signature

Digitally signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: digital art, collage, digital print

Dimensions cm inch

35 x 25 x 1 cm 13.8 x 9.8 x 0.4 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: Lebanon

Not to be confused with the fantasy world of Alice in Wonderland, in his book Over-Sensitivity (1996), Jalal Toufic invites us to explore spaces that are radically disconnected from their surroundings but, as a result, directly connected to a radical elsewhere: Radical Closures. Thus, Toufic triggers in us the curiosity to, among other things, detect ostensibly nonexistent borders, and to experience the sudden irruption of unworldly, ahistorical fully-formed entities.  

Inspired by the surrealistic paintings of Magritte,  Miro, and the collage work of Ernst and Schwitters, I turned to my computer and attempted to digitally represent my current understanding of Toufic's Radical Closure. Hoping that entities may irrupt out of my control out of nowhere or a radical elsewhere, I found myself preparing to gamble everything by setting the structure of radical closure that would make it possible for such entities to irrupt in my file and on the screen.  

In the end, my aim wasn't to reach a final solution to the picture puzzles; my aim was to keep it as an intractable mystery.

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About the seller

Arneli Art Gallery • Lebanon

Artsper seller since 2021

Vetted Seller

This seller rewards your purchases of multiple artworks


Collector’s Guide

Imagine it at home

Manar Ali Hassan, Spectral Sway - JALAL TOUFIC'S RADICAL CLOSURE
Manar Ali Hassan

Manar Ali Hassan

Lebanon

Manar Ali Hassan is an emerging artist from Beirut, Lebanon. She obtained her master's degree in Visual Arts in 2019. Her ongoing work revolves around reshaping identities in the shadow of an inescapable painful body. Her work was exhibited at ArtLab gallery, Lebanon in 2019 and at STOA collective, Dublin in 2020.

Ode to Beirut is a visceral reaction to the Beirut blast that took place on August 4, 2020. It queries the notion of collapsing space and time into one image. The analogue of the inescapable event is reshuffled as a trapped succession of distortions, where the figures representing a painful body are dissolving into several fields and breaking up, hinting at the devastated city. The semi-transparent background is an ellipsis that reveals nothing, yet suggests the possibility of seeing other realms. All the while taking into consideration the emotional states that could be conveyed by not rendering the event as we see it, but as we experience it emotionally, hoping to find in these isolated caged figures empowering forms to contemplate.


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