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Abstract n°568
Harry James Moody
Painting - 127 x 101.6 x 4.1 cm Painting - 50 x 40 x 1.6 inch
$7,702
Abstract n°513 L.A. September
Harry James Moody
Painting - 152.4 x 121.9 x 4.1 cm Painting - 60 x 48 x 1.6 inch
$12,837
Abstract n°512 L.A. September
Harry James Moody
Painting - 152.4 x 121.9 x 4.1 cm Painting - 60 x 48 x 1.6 inch
$12,837
Onde vibratoire blanche 4
Jean-François Contremoulin
Painting - 46 x 65 x 2 cm Painting - 18.1 x 25.6 x 0.8 inch
$1,228
Virtuous Woman
Kamal Obat
Photography - 59.4 x 41.9 x 0.5 cm Photography - 23.4 x 16.5 x 0.2 inch
$350
Otherworldly IV
Ansgar Dressler
Painting - 121.9 x 101.6 x 3 cm Painting - 48 x 40 x 1.2 inch
$1,850
Fragile framework II
Ansgar Dressler
Painting - 101.6 x 101.6 x 3 cm Painting - 40 x 40 x 1.2 inch
$1,300
Elegant minimalism
Anastasia Vasilyeva
Painting - 30 x 30 x 1.8 cm Painting - 11.8 x 11.8 x 0.7 inch
$893
Skiers At Verbier - 1964 Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$3,963
La fraîcheur du monde
Jean-Pierre Petit
Painting - 60 x 60 x 2 cm Painting - 23.6 x 23.6 x 0.8 inch
$670
Mnemonic codes 001
Cristina Stefan
Painting - 63.5 x 40.6 x 0.3 cm Painting - 25 x 16 x 0.1 inch
$945
Mnemonic codes 004
Cristina Stefan
Painting - 57.2 x 76.2 x 0.3 cm Painting - 22.5 x 30 x 0.1 inch
$1,134
New York - Back to the big white apple
Arnaud Puig aka ARDPG
Painting - 120 x 80 x 3 cm Painting - 47.2 x 31.5 x 1.2 inch
$2,009
Every day´s magic
Viktoria Ganhao
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
$1,674
Exuberance
Karin Goeppert
Painting - 100.1 x 100.1 x 1.8 cm Painting - 39.4 x 39.4 x 0.7 inch
$2,000
If I only could deceive you 9
Luca Brandi
Painting - 50.8 x 40.6 x 0.3 cm Painting - 20 x 16 x 0.1 inch
$1,140
XXL late afternoon sunset
Susan Wooler
Painting - 75.9 x 102.1 x 2 cm Painting - 29.9 x 40.2 x 0.8 inch
$1,086
Some enchanted nights 3
Luca Brandi
Painting - 76.2 x 55.9 x 0.3 cm Painting - 30 x 22 x 0.1 inch
$1,810
Snoopy, Painting, Acrylic on canvas
Christel Haag
Painting - 50.8 x 50.8 x 2.5 cm Painting - 20 x 20 x 1 inch
$820
Flickering garden 2
Nestor Toro
Painting - 71.1 x 55.9 x 1.8 cm Painting - 28 x 22 x 0.7 inch
$1,280
You'll never be mine 7
Luca Brandi
Painting - 76.2 x 55.9 x 0.3 cm Painting - 30 x 22 x 0.1 inch
$1,910
Chronometer series 1 Turbulence of Time
Lena Ochkalova
Painting - 50 x 65 x 0.1 cm Painting - 19.7 x 25.6 x 0 inch
$1,116
Rain is shaking pine trees
Lena Ochkalova
Painting - 65 x 50 x 0.1 cm Painting - 25.6 x 19.7 x 0 inch
$1,005
And here they stand at night
Lena Ochkalova
Painting - 65 x 50 x 0.1 cm Painting - 25.6 x 19.7 x 0 inch
$1,005
Some enchanted nights 3
Luca Brandi
Painting - 76.2 x 55.9 x 0.3 cm Painting - 30 x 22 x 0.1 inch
$1,810
Enso: Facing the Pitch-black Void
Takashi Murakami
Print - 46.8 x 39.8 x 0.1 cm Print - 18.4 x 15.7 x 0 inch
$2,958
Lech Ice Bar - Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$3,885
Lech Ice Bar - Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$3,885
Dining At The Eagle Club - Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 76.2 cm Photography - 40 x 30 inch
$3,360
Ice Bar In Lech 1960 Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 152.4 cm Photography - 40 x 60 inch
$3,963
Hotel Du Cap-Eden-Roc 1976 Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$3,963
Freeport Yachts 1969 Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 152.4 x 101.6 cm Photography - 60 x 40 inch
$3,963
Curling Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$3,963
Boating In Antigua 1961 Slim Aarons Limited Edition Estate Stamped Print
Slim Aarons
Photography - 101.6 x 101.6 cm Photography - 40 x 40 inch
$3,963
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!