Culture Nature Vase, 2020
Barbara Kruger  

Design : vase, Porcelain · 25.4 x 10.2 x 10.2 cm 10 x 4 x 4 inch

CHF 3,162 3 162 CHF

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Shipped from: United Kingdom

Delivery to: Switzerland , CHF 34

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Design : Open edition

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Founder's stamp

Technique & Support

Dimensions ( cm • inch )

25.4 x 10.2 x 10.2 cm 10 x 4 x 4 inch Height x Width x Depth

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Credentials

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Description

Advertising aesthetics meets the utilitarian object here. The artist détourns the codes of graphic design and consumption to question our relationship with the world. This porcelain piece uses a sharp chromatic contrast.
The text imposes itself on the object as a slogan, transforming the vase into a support for critical reflection.

The conceptual approach questions the boundary between culture and nature. The style is part of the Pop Art heritage through the direct treatment of media imagery. A rhythmic composition where the word becomes the central element of the form. This minimalist design emphasizes a desire to provoke the gaze. The object presents itself as a visual manifesto created in 2020.

Pop Art

Black

United States  • 1945

Presentation

Barbara Kruger's deeply conceptual and politically oriented body of work developed out of her earlier career in design for magazines such as Mademoiselle, House and Garden and Aperture. Her experience working with publications directly influenced her artistic style, evidenced in her signature use of collaged text and image, which draw directly on the imagery of graphic design and advertising. Kruger's images are typically sourced from magazines and other widely circulated media, situating them with debates about appropriation and authorship. Over these appropriated images, she appends aphorisms and witty quips such as “Your Body is a Battleground" and “I Shop Therefore I Am," intended to both intrigue and accuse the viewer. These often-aggressive texts and the jarring black, white, and red palette of many of her works urgently implore the viewer to examine his or her own relationship to not only the artwork, but also the visual culture they participate in, which is linked to consumerism, feminism, and classism.

Kruger's work has been exhibited widely, including solo shows at the Whitney Museum of American Art, the Museum of Contemporary Art in Los Angeles, the Contemporary Arts Museum Houston, Los Angeles County Museum of Art, the ICA London, and MoMA PS1. She has also been featured at numerous biennials, including the Venice Biennale in 1982 and 2005 and the Whitney Biennial in 1983 and 1985. 

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