Arlparra Country AP661/07, 2007
Angelina Pwerle Ngala  

Painting : acrylic · 93 x 115 cm 36.6 x 45.3 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

93 x 115 cm 36.6 x 45.3 inch Height x Width x Depth

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Art gallery

Professional art gallery • Australia

Credentials

Vetted seller since 2022

Description
Angelina paints her country of Arlparra, Utopia. Her paintings depict a topographical view of the landscape in particular the Bush Plum (Arnwekety) plant which is of great significance to the women of this region.

She uses intense areas of dotting built up over a darker background. The changes in depth and intensity of her dot-work produce a delicately coloured composition with a subtle and textured surface.

This depiction of Angelina Pwerle’s country of Arlparra in central Australia was painted after the wet season during the 2010 summer. She has used intense areas of dotting built up over a dark background with smatterings of red. the painting depicts a topographical view of her country the bush plum (Arnwekety) plant which is an important source of food and to the women of this region.
Angelina Pwerle Ngala, Arlparra Country AP661/07
Australia  • 1946

Presentation

Angeline Pwerle Ngala has come into international prominence with her interpretation of her Dreaming, the Bush Plum (Arnwekety) and her figurative paintings of women's ceremonies.

Angeline Pwerle Ngala's career began in 1988 when she became part of the Utopian batik project and her work from this project is featured in the Robert Holmes á Court Collection. She began experimenting with acrylic paint on canvas in 1988-9 as part of the Central Australian Aboriginal Media Association's project - The First works on Canvas, A Summer Project with the Utopia Aborignal women from Utopia. From this moment her output flourished.

Her paintings of her country and the bush plum can be viewed as landscapes. The changes in the depth and intensity of her dot-work produce a multi-dimensional textured surface. 

Collections: 

The National Gallery of Australia, Canberra 

National Gallery of Victoria

Aboriginal Art Museum, The Netherlands. 

The Holmes a Court Collection, Perth 

The National Museum of Art, Osaka, Japan 

Artbank, Sydney 

Commonwealth Law Courts, Melbourne. 

LaTrobe University Collection, Melbourne 

Gallery of Modern Arts, Brisbane 

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