Social distance, 2020
Painting : oil · 55 x 46 x 3 cm 21.7 x 18.1 x 1.2 inch · Ready to hang
€1,350
1 350 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 98
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
55 x 46 x 3 cm 21.7 x 18.1 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
56 x 47 x 5 cm 22 x 18.5 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work could well be called 'this is not a seated man'. For a long time I was unable to see the white image of a seated figure that most viewers saw first.
Basically I had painted the profile of a child cub that dissolves into this intense background. Little guy in an education system he doesn't understand much about. He loses his head in the violence that surrounds him.
Painted at the start of the pandemic, he wears a mask.
I gave him a muzzle, he is silent. He has mouse ears, a whimsical, ridiculous accessory, like donkey ears. These accessories largely take the front and form by chance ‘this seated thinking human’.
With my name Der der ian, I was easily called at school, the der of the der, the Last of the Last. I was a nice dunce who felt humiliated by the school system. I made myself this shy and confused little creature who suffers and waits in the background. At fifteen I left general education to enroll in an international classical dance school. The same year I had my first professional contract.
Basically I had painted the profile of a child cub that dissolves into this intense background. Little guy in an education system he doesn't understand much about. He loses his head in the violence that surrounds him.
Painted at the start of the pandemic, he wears a mask.
I gave him a muzzle, he is silent. He has mouse ears, a whimsical, ridiculous accessory, like donkey ears. These accessories largely take the front and form by chance ‘this seated thinking human’.
With my name Der der ian, I was easily called at school, the der of the der, the Last of the Last. I was a nice dunce who felt humiliated by the school system. I made myself this shy and confused little creature who suffers and waits in the background. At fifteen I left general education to enroll in an international classical dance school. The same year I had my first professional contract.
Presentation
The portraits of Daniel Derderian are singular cries for love. They seeks to highlight the tension between strength and fragility.
The artist works in a hurry, torn between the unlimited fantasies of a wild child and the moral compass of a socially integrated adult. He twists and shapes his imagination between reason, emotions and impulses.
After a career as a dancer at the Ballet National de Marseille Roland Petit, the Het Nationaal Ballet in Amsterdam and the Ballet du Nord, he moved to Paris and worked as a dancer and actor in the world of entertainment.
At the same time, he began his work as a visual artist on his own.
His first works were collages based on X-rays – clinical material that shows the inside of a body objectively.
The portraits are images of his mental constructions and deconstructions; dance expressions in the head.
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