Garden Of The Really Real, 2022
Martina Nehrling  

Painting : acrylic · 40.6 x 50.8 x 0.1 cm 16 x 20 x 0 inch

£1,250 1 250 £GB

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Shipped from: United States

Delivery to: United Kingdom , £ 177

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40.6 x 50.8 x 0.1 cm 16 x 20 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2015 • Top Seller

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Description
Acrylic on Montval paper — Unframed.

Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopic worlds of pattern, color, shadow and form.

Nehrling employs a highly developed, idiosyncratic painting method that involves methodical accumulations of abrupt, impasto brush marks.

Using pure, opaque colours, she projects a bold and vivid energy from her compositions. Each carefully placed mark grips on to its neighbour, forming hypnotic shapes and forms that seem to vibrate.

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a respect for the human hand.

Abstract

Abstract art

Colors

Martina Nehrling, Garden Of The Really Real
United States  • 1970

Presentation

Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopic worlds of pattern, color, shadow and form.

Nehrling employs a highly developed, idiosyncratic painting method that involves methodical accumulations of abrupt, impasto brush marks. 

Using pure, opaque colours, she projects a bold and vivid energy from her compositions. Each carefully placed mark grips on to its neighbour, forming hypnotic shapes and forms that seem to vibrate. 

The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of  paint drip freely, betraying an embrace of the accident, and a respect for the human hand.

Her works are in numerous public and institutional collections, including those of the Federal Reserve Bank, Chicago, IL and PNC Bank, Chicago, IL; and New York Presbyterian Hospital, New York, NY, among many others.

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