Lab #10 and #5 Diptych. From the Lab series, 2024
Painting : oil, acrylic, mixed media · 49.8 x 69.9 x 0.3 cm 19.6 x 27.5 x 0.1 inch
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Shipped from: Argentina
Delivery to: United States , $ 250
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
oil , acrylic , mixed media on paper
Dimensions ( cm • inch )
49.8 x 69.9 x 0.3 cm 19.6 x 27.5 x 0.1 inch Height x Width x Depth
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
From the Lab series
Overall size: 50 H x 70 W cm
Individual size: 50 H x 35 W cm
Unframed
Signed by the artist
This dynamic diptych captivates with its bold, swirling forms and vibrant color palette. The left piece features a striking interplay of teal, black, and red, creating a sense of movement and depth. Organic shapes flow seamlessly, evoking a sense of fluidity and spontaneity. In contrast, the right panel showcases an exquisite balance of muted tones and bright accents. Earthy grays and whites intersect with lively yellows and reds, offering visual harmony. Both pieces are united by their energetic brushwork and layered texture, inviting viewers to explore the interplay between chaos and order. The artwork’s abstract nature allows for personal interpretation, while its cohesive composition exudes confidence and sophistication. This distinctive work stands as a testament to the power of abstraction and the endless possibilities of color and form.
Presentation
Alec Franco was born on August 7, 1972 in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano.
By 2012 he deepened his technique with Sergio Bazán and later perfected in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been editor together with other artists, writers and designers of Hoornik Collection Art Magazine since 2016.
He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
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