Sans titre (carré parfait), 1981
Lise Levitsky aka Elisabeth Gainsbo  

Painting : acrylic, chalk, pencil, ink · 65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch · Ready to hang

£1,658 1 658 £GB

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Shipped from: France

Delivery to: United Kingdom , £ 82

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch Height x Width x Depth

Artwork dimensions including frame

68 x 53 x 2 cm 26.8 x 20.9 x 0.8 inch

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Description

This captivating work is distinguished by its bold geometric composition, where a set of squares and rectangles are harmoniously juxtaposed. The dominant shades of blue and green create a serene atmosphere, evoking depth and tranquility. Each square appears meticulously delineated, while the touches of pink and purple provide a subtle yet striking contrast, enriching the palette. These vibrant hues stand out against the background, drawing the viewer's eye. The interplay of textures and tones gives the whole an intriguing visual dynamic, capturing the very essence of abstraction. The precision of the geometric forms and the richness of the immersive colors are a testament to the artist's technical mastery. This painting invites quiet contemplation, encouraging the viewer to explore the emotional and conceptual depths within.

Abstract

Abstract art

Square

Sky blue

Lise Levitsky aka Elisabeth Gainsbo, Sans titre (carré parfait)
France  • 1928  - 2022

Presentation

Born March 5, 1926, in Pau and died October 3, 2022, in Quillio, Brittany, Lise Levitsky was a French painter of Russian origin. She was the first wife of Serge Gainsbourg. A painter from Groupe R, she was a friend of the painters Jean Leppien and Dali, whom she met with Gainsbourg. She was also a psychoanalyst.

The daughter of Russian immigrant aristocrats, she was a fashion model and secretary to the surrealist poet Georges Hugnet. She studied painting at the Académie de Montmartre (later the Académie Fernand Léger) and it was during a painting class in March 1947 that she met Lucien Ginsburg, the future Serge Gainsbourg.

They married on November 3, 1951, at the town hall of Mesnil-le-Roi. The couple moved to Paris, but Lucien later moved away from painting, and their unrequited love affair foundered. They divorced in 1957.

Their romance rekindled, and by happy coincidence they met again, notably in 1968, after Serge Gainsbourg and Brigitte Bardot broke up. Their love was still unraveling, even though it is likely that their relationship continued, occasionally and discreetly.

Gainsbourg's song Elisa was, she says, written for her.

Lise had a second husband, Jean-Marie Grandjouan, the grandson of Jules Grandjouan.

Exploring the work of Elisabeth Levitsky (Grandjouan) is to venture into a historical, artistic, mathematical, and enigmatic journey.

At the beginning is the square, probably in reference to Kazimir Malevich.

Reviewing Lise Levitsky's paintings, we find on the back of two of them a reference to CJ Bouwkamp.

Christoffel Jacob Bouwkamp (1915-2003) holds a doctorate in mathematical sciences and devoted much of his career to the study of squares and square rectangles.

This is where what makes Levitsky's level of research enigmatic begins, and what prompted him to explore a complex mathematical field to produce a large part of his work.

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