N° 1288 Le septième. Guillotière., 2025
Painting : oil · 27 x 41 x 2 cm 10.6 x 16.1 x 0.8 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
27 x 41 x 2 cm 10.6 x 16.1 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This library, exclusively for children, also serves as a community center and a hub for associations. For the past few months, it has proudly displayed a vibrant street art mural depicting the Mâchecroute, a monster mentioned by Rabelais in his Fourth Book. The wicked dragon, lurking in the waters of the Rhône, just beneath the nearby bridge, seemingly no longer a threat, ultimately inspired the delightful "Festival between the Saône and Rhône."
Note the artist's stance in this work: first, the choice of a very small format; second, the name of the place obscured by the slender tree trunk in the foreground, so much so that, while the AI hesitates between "Maison de la Lullotière" and "Maison de la potière," it ultimately opts for a classification of poetic realism for the entire work. That's OK.
Presentation
"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.
The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.
The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.
The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.
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