From edge to edge | Large Neutral Gray Abstract Geological Artwork, 2025
Daria Kalinnikova  

Painting : acrylic · 70 x 90 x 2 cm 27.6 x 35.4 x 0.8 inch · Ready to hang

CHF 858 858 CHF

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Shipped from: United States

Delivery to: Switzerland , CHF 125

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 90 x 2 cm 27.6 x 35.4 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

A contemporary acrylic artwork inspired by marble formations and natural rock layers. Cool gray, taupe, and earth tones merge into flowing structures that create movement and dimensionality.

The piece integrates seamlessly into luxury interiors, corporate environments, and modern homes. Its neutral palette and textured surface offer calm presence and architectural elegance, making it an ideal gift for collectors of refined abstract artwork.

Abstract

Sky

Abstract expressionism

Impasto

Lines

Grey

Daria Kalinnikova, From edge to edge | Large Neutral Gray Abstract Geological Artwork
United States  • 1991

Presentation

Daria Kalinnikova (b. 1991) is a contemporary abstract artist. Her practice explores material as process and form as movement, focusing on perception, space, and the physical presence of an artwork.

She graduated in 2013 from Saint Petersburg State University of Architecture and Civil Engineering, where she developed a strong analytical understanding of structure and spatial logic. While architecture shaped her clarity of composition, it also led her toward a more intuitive artistic language—one that allows uncertainty, rhythm, and sensation to guide the work.

Daria works across acrylic painting, watercolor, calligraphy, drawing, graphic techniques, and sculptural forms. These mediums function as experimental fields where color becomes tactile and composition unfolds through layered surfaces, subtle tensions, and shifting light. Her abstract works do not depict specific places; instead, they register internal states—emerging from memory, overlapping like residual traces, and remaining suspended between appearance and disappearance.

Light plays a central role in her visual language, dissolving edges and destabilizing form. In her graphic practice, she embraces imperfection as a productive condition, using fine tonal shifts and delicate marks to explore absence, erosion, and incompleteness. Each piece invites slow looking, changing with distance, movement, and time.

Her paintings often extend beyond the canvas, while her sculptural objects investigate balance and instability—encouraging viewers to perceive familiar forms as moments in motion rather than fixed structures. Through a quiet yet rigorous visual language, Daria creates contemplative environments where materiality transforms into experience.

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