Tower 1 (huge original painting on canvas), 2011
Painting : aerosol paint, acrylic · 213.4 x 101.6 x 5.1 cm 84 x 40 x 2 inch · Ready to hang
$15,000
15 000 $US
Shipping & delivery
Shipped from: United States
Delivery to: United States , $ 500
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aerosol paint , acrylic on canvas
Dimensions ( cm • inch )
213.4 x 101.6 x 5.1 cm 84 x 40 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John 'Crash' Matos. Painting is stretched and ready to hang. Canvas size 84 x 40 x 2 inches.
Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.
Presentation
Crash (John Matos) is a graffiti artist born in the Bronx on October 11, 1961. He is one of the major protagonists of the ?spray can (R)evolution?.
He starts to do graffiti while he is still very young, on the New York trains, before passing to canvas.
He joins the Sidney Janis Gallery in 1983. His works are acquired by the most important collections in the world, from the MoMA in New Yorks to the Stedelijk Museum in Amsterdam.
The public gets to know him when he co-produces, with Keith Haring, the Peter Stuyvesant advertising campaign. In France, he achieves fame after taking part in the 5/5 Figuration Libre exhibition France-USA at the Musée d'art moderne de la Ville de Paris in 1984. This exhibition featured the work of artists such as Basquiat, Boisrond, Combas, Keith Harring, Tseng Kwong Chi, Di Rosa... and John Matos Crash.
His style is close to comics, he uses flamboyant colors that remind us of the world of advertising and his works assert themselves as pure producs of the contemporary world. He is following the Pop Art lineage perfectly and raises again the so-called subculture to the status of ?high art?.
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