Concert interrompu - Scène imaginaire cubiste, 2025
Jacques Alary  

Painting : acrylic · 61 x 50 x 2 cm 24 x 19.7 x 0.8 inch · Ready to hang

£545 545 £GB
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Shipped from: France

Delivery to: United Kingdom , £ 71

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

61 x 50 x 2 cm 24 x 19.7 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018 • Top Seller

Description

This captivating work presents a vibrant Cubist style. Bold geometric shapes and vivid colors intertwine to create a dynamic composition. A human face profile stands out at the center, its expressive eye drawing the viewer's attention. Fluid, sinuous lines outline a stylized bird, perhaps symbolizing freedom or harmony with nature. Contrasting hues, ranging from deep red to vibrant green, lend the whole a rich visual depth. The overlapping forms and sharp angles add dramatic tension. This painting perfectly illustrates the intersection of the abstract and the figurative, prompting viewers to consider multiple possible interpretations. Each element is carefully balanced, creating a chaotic harmony that captivates the eye and stimulates the imagination.

Abstract

Art brut

Pattern

Birds

Semi-abstract

Faces

brown

Green

Jacques Alary, Concert interrompu - Scène imaginaire cubiste

Jacques Alary

France  • 1954

Presentation

I paint what does not yet exist, giving way to my imagination and my memories, especially from childhood, which constantly lived in the imagination. Even when I start with a preconceived idea of what I am going to do, I quickly realize that I am carried far beyond my initial project. I then simply let the metamorphosis of the work take place, which is realized almost in spite of myself. I abandon myself completely to what can be assimilated to a true moment of spirituality, that is to say to a result that becomes more a work of the mind than of reason. I have the clear feeling at certain moments of becoming a true spectator of my own work and ultimately that suits me very well.

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