Minéral - Série Paysage abstrait onirique, Circa 2025
Chantal Jamet dite Thal  

Painting : acrylic, mixed media · 30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch · Ready to hang

€245 245 €
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Shipped from: France

Delivery to: Italy , € 22

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018 • Top Seller

Description

The gesture guides the material. This abstract composition explores the dialogue between earth and water. The artist works here through successive layers. The hand replaces the brush to sculpt the surface. Superimposed glazes create an organic depth.

Light becomes the central element. It bursts forth like a white cascade through brown and earthy tones. Golden flecks punctuate the canvas. They bring a precious relief and capture the gaze.

The movement evokes a natural landscape in mutation. One can discern rocky flows or aquatic currents. The balance rests on the contrast between the shaded areas and the clarity of the center.

This acrylic painting is situated at the frontier of elements. It is inspired by the fluidity of Asian arts. The density of the textures dialogues with the lightness of the luminous areas. The whole forms a dreamlike vision where form is born from improvisation. The final rendering stabilizes on a play of volumes and blurred perspectives.

Abstract

Landscape

Colors

Material

Oniric

Imaginary landscape

brown

Sky blue

Chantal Jamet dite Thal, Minéral - Série Paysage abstrait onirique

Presentation

As an abstract, dreamlike painter, I have taught art in one of my studios, through a charity, and also at
a higher education college specialising in web and design to students. I am a recipient of the Arts, Sciences and Letters medal. I have exhibited at art fairs (both national and international), in galleries and in museums. My acrylic painting is based on conveying an emotion.

Each time, it is a blank page. I first apply my materials in a random manner. I prepare my colours and devise a focal point of light. From there emerges a gestural approach that I execute mainly with my hands through the layering of glazes. And that is when a cascade of light comes into play, bringing my work to the fore. Depending on the effects I have created, I visualise a path to follow, and from there the creative process unfolds. Perspective, form, volume and the adjustment of the light's angle all come into play. Without light, my work would not exist. I never know in advance what I'm going to create. That's how I discover my painting as it takes shape. It lies between earth, water and the elements, as in Asian art. There is always water in my work.

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