Ziv & the Plastic Flora of Ikea (2), 2025
Michal Mozes  

Painting : oil · 40 x 40 x 40 cm 15.7 x 15.7 x 15.7 inch

CHF 1,719 1 719 CHF

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Shipped from: Israel

Delivery to: Switzerland , CHF 215

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 40 x 40 cm 15.7 x 15.7 x 15.7 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • Israel

Credentials

Vetted seller since 2026

Description

A circular composition frames a delicate intersection of nature and humanity. A woman stands in profile, her back turned to the viewer. She carries a lush bouquet that seems to grow from her silhouette. Soft white blooms dominate the upper half. Their petals unfurl in rhythmic layers. Deep magenta accents provide a striking contrast. The floral arrangement creates a dynamic movement across the canvas. Fine greenery and slender stems add organic structure. The background remains a neutral, misty grey. This void emphasizes the purity of the colors. Light washes over the skin and petals with a soft glow. The artist employs a precise technique to capture varied textures. Smooth skin meets the velvety touch of flower petals. This artwork explores the silent bond between the feminine form and the botanical world. It evokes a sense of serenity and quiet contemplation. The circular format lends a meditative quality to the scene. Each brushstroke contributes to a refined, atmospheric depth. The image concludes with a detailed study of small, budding leaves.

Portrait

Floral

figurative

Composition

Figuration

Pink

Michal Mozes

Israel  • 1980

Presentation

Michal Mozes (b. 1980) is an Israeli painter living and working in Tel Aviv. She studied drawing and painting under Shlomi Hagai at the Israel Arts and Science Academy in Jerusalem (1995–1998) and holds a B.Des in Fashion Design from Shenkar College.

Rooted in close observation of everyday life, her paintings transform domestic objects, flowers, family photographs, and intimate scenes into explorations of color, light, memory, and personal history. In recent years, in response to a period of collective grief, flowers and mourning wreaths have become recurring motifs in her work. These subjects also connect to her childhood in a moshav, where she grew up in a family of flower growers.

Through seemingly ordinary subjects, Mozes creates quietly charged narratives in which intimacy, memory, and collective experience intersect.

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