La Trama, 2026
Painting : oil · 100 x 160 x 3 cm 39.4 x 63 x 1.2 inch · Ready to hang
CHF 8,642
8 642 CHF
One of the last works available by this artist
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Shipped from: Spain
Delivery to: Switzerland , CHF 428
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 160 x 3 cm 39.4 x 63 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
“La Trama” is made with oil on linen canvas.
In it, two monolithic spheres dominate the composition: They appear as dense nests of organic lines. Countless pale figures cling to these structures, and their bodies twist in a state of perpetual tension. Some struggle to climb upward, others vanish into the dark depths of the weave. A central void glows with a soft white light within each circle. This luminosity creates a stark contrast against the muted browns and blacks of the background.
The diptych evokes a sense of collective struggle. It explores the fragile bond between the individual and the system. The rhythmic repetition of limbs and lines adds a hypnotic quality to the scene. Each figure becomes a thread in a larger social fabric. The monochromatic palette emphasises the raw emotion of the movement. Sharp details define the muscular tension of the climbers. The duality of the two forms suggests a mirror image of human existence. The artwork concludes with a deep focus on the intricate intersections of the linear textures.
Presentation
Through the works of José Benítez we immerse ourselves in his inner universe, where chaos reigns. They are sublime scenarios with monsters and anthropomorphic beings as the absolute protagonists. His is a meticulous work, an organic and scientific painting that, even with the disorder and agitation, denotes a sound dexterity. His dark palette, deliberately reduced in order to avoid chromatic distractions, edges the viewer to pay full attention to the composition.
Benítez’s admiration for the great masters of painting shines through. Without going any further, his baroque theatricality draws from great references such as Velázquez and Goya. Furthermore, his extraordinary treatment of light and shadows reminds us of Flemish painting, especially that of Brueghel.
Benítez conveys to us his utopian imagination, captured in a totally personal language, which is nourished and evolves as a consequence of the revision of his pictorial conception:
José Benítez has exhibited his work in collective and solo shows, nationally and internationally since 1987 to much acclaim.
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