108 Buddhas, 2026
Maria Hazanskaia  

Painting : oil · 140 x 140 x 4.5 cm 55.1 x 55.1 x 1.8 inch · Ready to hang

CHF 10,097 10 097 CHF

One of the last works available by this artist

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Shipping & delivery

Shipped from: Russian Federation

Delivery to: Switzerland , CHF 249

Estimated delivery: Two to three weeks

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

140 x 140 x 4.5 cm 55.1 x 55.1 x 1.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Blue-robed figures gather across a square canvas, their faces emerging from folds of deep blue. Individual postures and expressions bring variety to the crowd’s continuous rhythm.

Oil paint and texture paste create a raised surface that catches the light.

Signed on the back.

Approximate weight: 13 kg.

Portrait

Crowd

People

Dark blue

Maria Hazanskaia, 108 Buddhas
Russian Federation

Presentation

Maria Hazanskaia, working under the name Hazart, creates figurative paintings that explore inner experience: fear, freedom, belonging and the search for oneself. Working in oil on canvas, sometimes with acrylic and textured materials, she gives emotions a tangible form through the human figure, symbolic colour and richly worked surfaces.

Her paintings begin with lived experience. A child at play becomes an image of unguarded joy; a gathering of artists becomes a home beyond time and borders; a figure moving towards darkness becomes a reflection on courage. Within her series Only for the Mad, painting is a way to explore the distance between what we see and what we feel.

Her practice brings painting and performance into the same space. Maria paints nude: the body, movement and time at the easel are part of the work. Many paintings are filmed as they take shape, so each finished canvas opens onto the gestures and hours behind it. Alongside the figurative work, she makes abstract pieces in which colour and texture take the foreground.

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