Yin yang, 2026
Sophie Dumont   Best sellers Emerging artists

Painting : oil, Knife Painting · 35 x 27 x 2 cm 13.8 x 10.6 x 0.8 inch · Ready to hang

€1,200 1 200 €

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Shipping & delivery

Shipped from: France

Delivery to: Italy , € 90

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

35 x 27 x 2 cm 13.8 x 10.6 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

42 x 34 x 3.5 cm 16.5 x 13.4 x 1.4 inch

Sold by

Independent artist

Credentials

Vetted seller since 2022 • Top Seller

Description
Yin Yang presents a character whose face is composed of two nested planes, ivory and ochre. The dark hair and the large light collar draw an assertive silhouette against a terracotta background.

The absence of explicit features leaves the expression open. The presence of the character rests on the asymmetry of the face, the head posture, and the relationships between the colored masses. The muted greens of the clothing and the brown passages balance the warmth of the background.

The title evokes the complementarity of the two parts of the face, each defining the contour of the other. The superimpositions of oil paint, the scrapes and knife marks bring a sensitive texture to this geometric construction.

Original work signed, accompanied by a certificate of authenticity. Presented in a natural wood American box, ready to hang.

Unframed dimensions: 35 × 27 cm (13.78 × 10.63 inches).
Framed dimensions: 42 × 34 cm (16.54 × 13.39 inches).

Portrait

Men

Material

Fictional Character

Red

Sophie Dumont, Yin yang

Sophie Dumont

France  • 1964
757 followers

Presentation

Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.

Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.

Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.

From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.

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