The self 34. Abstract Painting, 2026

Neerja Chandna Peters  

A vibrant exploration of structure and light. This acrylic painting balances rigorous geometry with a bold color palette. Sharp angles intersect to create a dynamic upward momentum. A luminous yellow diamond anchors the center. Below it, a saturated crimson circle provides a powerful focal point. The composition radiates energy through alternating triangles of olive green, deep purple, and soft pink.
The artist bridges the gap between scientific precision and creative intuition. Subtle textures within the shapes add depth to the flat planes. Each line converges with mathematical intent. The contrast between the bright primary tones and muted earthy hues creates a rhythmic visual harmony. This artwork transforms a flat surface into a complex architectural space. The play of light suggests a celestial or spiritual ascent. A precise application of paint ensures clean edges and cohesive transitions. The piece concludes with a stark white base that grounds the entire explosive arrangement.

Realising the consciousness or Self is realising the Universe and its Source. Connecting with this light within is also then a path of connecting with the Source. The Self series of works celebrates this connection with the Self.

Neerja Chandna Peters enjoys achieving fluid harmony through the play of lines, their symmetrical synchronicity and rhythmic interplay, manipulating tones, saturation, and values, thus creating subtle optical movement with their variable refrangibility. In her compositions, lines and light are not merely aesthetic choices but act as conduits leading the viewer to a space of stillness and contemplation. Over time, she has come to understand that clarity often lies in reduction. A single color or the movement of a line can evoke a profound resonance when approached with intention. This practice focuses as much on the process as the result. It is about finding balance, not only on the canvas, but within. The act of creating becomes a reflection of this alignment, a moment when the finite touches the infinite, and the work itself becomes an offering.

From The Self series.
Acrylic and archival ink on Hahnemuhle 640gsm watercolour paper.