Crépuscule II, 2019
Painting : oil · 30 x 30 x 3.5 cm 11.8 x 11.8 x 1.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 34
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 30 x 3.5 cm 11.8 x 11.8 x 1.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
A clean composition where the material becomes light.
The gaze settles on a perfect horizon line.
The sky occupies the upper half in a powdered blue.
Below, the sea declines in shades of pink and coral.
The artist works the oil paint in successive layers.
The technique consists of scraping and pushing the material onto a wooden panel.
The rendering evokes the serenity of an end-of-day by the sea.
The square format reinforces the visual balance, the small 30x30 formats are suited to be hung in series.
Presentation
Originally from the Netherlands, I completed my studies at the Breda Academy of Fine Arts in 1993. In 2001, I settled in France, in the Creuse region. I combine my life as an artist with that of an art therapist. I exhibit regularly in France and the Netherlands (Concept Store Gallery, La Baule – Salon d'Art Contemporain d'Auvergne, Clermont-Ferrand – Galerie Peter Bax, Sneek, The Netherlands) and I participate in land art or environmental art festivals (Vign'art, Epernay – Festival de l'Estran, Côte de Granit Rose).
My small paintings are the simplest; they contain only color, sky, and sea. The larger paintings can be more complex, a graphic design blending with the transparent colors of the sea, seeking a harmony of several different elements. I don't reproduce nature, but I need this interaction with nature, this "dialogue," to nourish my work.
As a support for my paintings, I often use wooden panels. The wood is rigid, which allows me to scrape and push the paint away. I apply oil paint in thin layers that are then moved or pushed away. This way of working allows me to play with transparencies and layering, to find colors with a certain depth and surprising nuances.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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