KH#379, 2026
Klaus Hoffmann  

Painting : acrylic, Pigments · 100 x 70 x 4.5 cm 39.4 x 27.6 x 1.8 inch · Ready to hang

CHF 1,394 1 394 CHF

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Shipped from: Germany

Delivery to: Switzerland , CHF 115

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 70 x 4.5 cm 39.4 x 27.6 x 1.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

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This seller offers discount when you purchase multiple artworks.

Description

Vibrant red, darker shades of red, and deep black define the composition of this abstract painting. Vertical color fields establish a steady rhythm across the surface. Narrow black lines emphasize the individuality of the color fields, while broader black areas create calm visual counterpoints.

The different shades of red produce a subtle sense of depth without disturbing the clear geometric structure. The composition explores the relationship between color intensity, rhythm, and stillness.

The painting is created with pure pigments on hand-primed Belgian linen. The slightly irregular texture of the linen gives the surface a lively character and enhances the perceived depth of the colors. The more pronounced texture of the black areas introduces an additional material contrast.

The work explores the relationship between color, geometric order, and painterly surface. Its qualities become particularly apparent when viewed in person, where subtle color variations and the physical texture of the painting can be experienced together.

Klaus Hoffmann, KH#379
Germany  • 1957

Presentation

Klaus Hoffmann, born 1957

In his works, Klaus Hoffmann explores the interactions of colors and forms, the special color contrasts and the effect of pure monochrome color surfaces.

In doing so, he avoids figurative associations and orients himself towards the art movement of Concrete Art.

He mostly uses geometric forms, which can also show deviations and breaks.

His aim is to create works that only represent themselves and do not refer to things that are outside the pictorial space, in the visible world.

They should also enable a sensual experience of the colors and forms and their interactions.

He works with pure, high-quality pigments, which are rubbed into aqueous acrylic dispersion and applied in numerous thin layers to give the color surfaces depth and enhance their luminosity.

Self-primed raw linen, whose natural structure remains recognizable, serves as the picture support.

This incorporates the picture support into the work and creates an autonomous overall work.

Hoffmann was educated at the Wiesbadener Freie Kunstschule and Freie Kunstakademie Frankfurt, with a focus on painting, composition, and color theory.

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