Citibank New York - Traces of Perception, 2014
Hester  

Photography : acrylic · 91.4 x 91.4 x 5 cm 36 x 36 x 2 inch

CHF 5,779 5 779 CHF

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Shipped from: United States

Delivery to: Switzerland , CHF 155

Estimated delivery: Three to four weeks

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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

91.4 x 91.4 x 5 cm 36 x 36 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

#0025 – CITIBANK NEW YORK – 10-20-2014 – 7:03:03 PM

A dense flow of horizontal lines traverses the image, like a saturated signal captured from the city's energy. Electric blues dominate, crossed by luminous layers of cyan, white, and touches of red, which emerge and then dissipate in a continuous vibration.

All architectural references disappear: the bank, a symbol of structure and stability, is transformed here into a pure field of forces. Only luminous intensities and fragments of urban traffic remain, absorbed into a kinetic abstraction.

The composition evokes a network in motion, an invisible framework through which data, flows, and speeds circulate. The lines, taut and fluid, create a tension between control and dispersion, between geometric rigor and luminous drift.

The image no longer shows a place, but its invisible activity: an urban pulse, fragmented and continuous, captured in the moment.

Abstract

Abstract art

Dark blue

Hester, Citibank New York - Traces of Perception

Hester

Colombia

Presentation

Known for combining artistic vision with technical precision, Hester transforms urban structures into doors of reflection. With a background in electrical engineering, architecture, and art history, her photographs go beyond superficial aesthetics and invite viewers to question our perception and occupation of space.

From Concrete Perspective (2012) to Architecture Éphémérè (2024), Hester's work consistently redefines the dialogue between art, science, and emotion. Exhibited internationally, from Art Wynwood and Pinta Miami to the Rencontres de la Photographie d'Arles, including recent exhibitions in Sweden and France, her practice presents itself as a bold exploration of perception and memory.

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