Renaissance Play House - Sewing Room, 2026
Photography : archival pigment print · 69.9 x 104.9 x 0.3 cm 27.5 x 41.3 x 0.1 inch
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About the artwork
Type
Photography : numbered and limited to 6 copies
6 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
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Dimensions ( cm • inch )
69.9 x 104.9 x 0.3 cm 27.5 x 41.3 x 0.1 inch Height x Width x Depth
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Description
A surreal domestic scene unfolds in this meticulously composed photograph. The image presents a strange collision of eras and scales. At its heart stands a classical sculptural group, reimagined as a flat, theatrical backdrop. These figures evoke the grandeur of the Renaissance. They are surrounded by an eclectic array of miniatures. A vintage sewing machine rests on a delicate wooden table. Plush pillows with floral and checkered patterns scatter across the floor. A tiny mustard-yellow sofa adds a touch of mid-century comfort. All these elements sit atop a richly patterned oriental rug. The composition plays with the perception of space and memory. It blends high art with the intimacy of a home. The lighting is soft and uniform. It creates a dreamlike atmosphere where the boundaries between sculpture and furniture blur. Every object is placed with precision. This arrangement transforms a simple room into a conceptual stage. The artwork explores the tension between historical permanence and the fragility of daily life. The focus remains sharp on the contrasting textures of fabric, stone, and metal.
Renaissance Play House is a photographic series that juxtaposes Renaissance drawings and paintings with plastic toy furniture, creating unexpected visual encounters between historical heritage and contemporary consumer culture. Through the deliberate collision of opposing elements—timeless and disposable, refined and playful, sacred and ordinary—the works invite viewers to question established values and cultural narratives. The resulting tension becomes a visual metaphor for transformation, suggesting that perhaps it is time for a new Renaissance. Dubravka Lazić is an artist and professor of photography whose work combines analog and digital techniques, often exploring the interplay between reality and imagination. Her practice is marked by a poetic visual language that intertwines narrative, memory, and experimentation. Through photography, photograms, and mixed media processes, she creates layered images that evoke intimacy and reflection, while also highlighting the subtle tension between tradition and contemporary approaches.
From the Renaissance Play House series Digital photography Archival pigment print on Hahnemühle paper Edition of 13
Presentation
Dubravka Lazić, graduated from the Academy of Arts in Novi Sad (1997), then received her master's degree at the Faculty of Applied Arts in Belgrade (2000) and her doctorate at the Academy of Arts in Novi Sad (2013).
Educated as a painter, photographer and filmologist, she currently teaches at the Novi Sad Academy of Arts as a full professor, and also part-time at the Faculty of Philosophy in Novi Sad.
In the period from 2011 to 2016, she taught at the Faculty of Applied Arts of the University of Arts in Belgrade and was also a guest lecturer at Universities abroad (West Attica University Athens, Communication University of China Beijing, Ludwigsburg University of Education, École supérieure de design Troyes).
During her academic career, she was the head of the department for New Fine Media and Photography (2007-2012), vice dean for artistic work and international cooperation (2012-2024) at the Academy of Arts in Novi Sad, as well as the president of the Expert Council for Humanities and Art/Art of the University of Novi Sad (2015-2021). She has been a member of the artistic council of the Platinum Gallery of the SANU branch in Novi Sad since 2016. Dubravka Lazić's artistic and exhibition activity has been active since 1998.
She exhibited her works of art at numerous solo and group exhibitions around the world. She is also active in the field of theoretical authorship and is the author of several published scientific works, articles, one book and a textbook. She is an organizer and a member of several commissions of the University of Novi Sad, as well as other professional organizing committees and juries, and a manager, consultant and participant in many art projects.
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