Sor Juana del La Cruz, 2016
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
Shipping & delivery
Shipped from: United Kingdom
Delivery to: Switzerland , CHF 71
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A haunting monochrome scene captures a moment of stillness. A solitary woman stands within a rhythmic colonnade. Her white garment flows like liquid against the stone. She gazes upward toward a soft light. This composition evokes a sense of timelessness and spiritual longing.
The archival pigment print emphasizes deep contrasts. Shadows stretch across the floor. The repetition of arches creates a powerful architectural perspective. It suggests a sanctuary or a place of memory. The figure appears suspended between the physical world and a dream state.
The image blends documentary precision with a poetic sensibility. It explores themes of identity and cultural resilience. There is a quiet strength in the subject's posture. The interplay of light and dark highlights the texture of the fabric and the weathered walls. This artwork reflects a deep interest in ritual and the preservation of heritage. The gaze of the woman leads the viewer toward an unseen horizon. Every detail contributes to a narrative of patience and endurance. The scene remains frozen in a state of eternal waiting.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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