Sor Juana del La Cruz, 2016
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

CHF 1,381 1 381 CHF

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Shipped from: United Kingdom

Delivery to: Switzerland , CHF 71

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

Description

A haunting monochrome scene captures a moment of stillness. A solitary woman stands within a rhythmic colonnade. Her white garment flows like liquid against the stone. She gazes upward toward a soft light. This composition evokes a sense of timelessness and spiritual longing.
The archival pigment print emphasizes deep contrasts. Shadows stretch across the floor. The repetition of arches creates a powerful architectural perspective. It suggests a sanctuary or a place of memory. The figure appears suspended between the physical world and a dream state.
The image blends documentary precision with a poetic sensibility. It explores themes of identity and cultural resilience. There is a quiet strength in the subject's posture. The interplay of light and dark highlights the texture of the fabric and the weathered walls. This artwork reflects a deep interest in ritual and the preservation of heritage. The gaze of the woman leads the viewer toward an unseen horizon. Every detail contributes to a narrative of patience and endurance. The scene remains frozen in a state of eternal waiting.

Maria Daniel Balcazar, Sor Juana del La Cruz
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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