Face à face, 2024
Christian Goetghebeur  

Photography : C-print · 80 x 120 x 4 cm 31.5 x 47.2 x 1.6 inch

£1,917 1 917 £GB

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Shipped from: France

Delivery to: United Kingdom , £ 141

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 9 copies

7 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

80 x 120 x 4 cm 31.5 x 47.2 x 1.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

The image captures a suspended moment in an almost industrial environment: that of the Pompidou museum in Paris. The gaze is immediately drawn to a human silhouette, isolated and still. This red figure contrasts with the rigor of the surrounding metallic structures. The vertical lines of the grates and pipes organize the space with precision.
The chromatic treatment transforms the material reality into an almost digital vision. The acidic tones, between green and yellow, suggest a thermal or technological reading of the place. This palette modifies our perception of steel and concrete.
A massive and curved shape dominates the right side of the composition. Its surface reflects orange and pinkish hues, bringing an organic dimension to this cold setting. The floor, striated with reflections, guides the eye toward the background of the scene.
The balance between emptiness and fullness emphasizes the solitude of the character. The work explores the relationship between man and art through a colored prism. The final rendering accentuates the particular geometry of the museum site.

Silver gelatin print color on paper Fujiflex Crystal Archive

Christian Goetghebeur, Face à face
France  • 1964

Presentation

Christian Goetghebeur is a French photographer whose work explores the metamorphoses of the visible through a personal photographic writing, Sublimations.

Starting from photographs rooted in reality, he develops a plastic research where color and light become materials in themselves. Architectures, urban spaces, and human presences constitute the main territories of his exploration. Through chromatic transformations and plays of perception, he brings forth new relationships between forms, volumes, and figures, inviting us to shift our gaze.

His work unfolds notably between France, Morocco, and Guadeloupe, territories where he explores the architectural, human, and cultural singularities.

Since 2022, his photographs have been the subject of several personal exhibitions, notably in Tangier, Casablanca, Marseille, Paris, and Guadeloupe. He has also participated in collective exhibitions in Paris, Luxembourg, and Rabat, notably at the Autumn Salon, at Art Capital at the Grand Palais, and at the German Embassy in Paris.

His works are featured in several public and private collections, including those of the Musée de la Légation Américaine in Tangier, the Bachelot Collection, the city of Pointe-à-Pitre, and the city of Basse-Terre.

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