Cubic Feet Empaquetages, 1971
Christo and Jeanne-Claude   Master Artists

Photography : etching · 50 x 70 x 0.2 cm 19.7 x 27.6 x 0.1 inch

£3,926 3 926 £GB

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Shipped from: Italy

Delivery to: United Kingdom , £ 82

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 100 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

etching on paper

Dimensions ( cm • inch )

50 x 70 x 0.2 cm 19.7 x 27.6 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description
Hand signed and numbered lower right. Edition of 100 pieces numbered and hand signed.
Christo and Jeanne-Claude, Cubic Feet Empaquetages
Bulgaria  • 1935  - 2009
141 followers

Presentation

Christo Vladimirov Javacheff was born in Bulgaria and studied fine arts in Sofia and Vienna before moving to Paris in 1958. There he met Jeanne-Claude, who became his muse and partner in exotic art. They married in 1962, moved to New York in 1964 and began making the ever-larger "environmental" artworks for which Christo became famous: wrapped fountains, bridges, buildings, and other public spaces.

Working with his wife and creative partner, Jeanne-Claude (Jeanne-Claude Denat de Guillebon), he created some of the most spectacular large-scale artworks of the 20th century. They wrapped in fabric the Reichstag building in Berlin (1995) and the Pont Neuf bridge in Paris (1985), built a 25-mile fabric fence across Northern California (1975), and strung a huge orange curtain across a Colorado Valley (1972).

Their career (to date) culminated with "The Gates," which placed 7500 vinyl gates, with free-flowing orange nylon fabric panels, across 23 miles of Central Park walkways for 16 days in 2005.

Jeanne-Claude passed away on November 18, 2009 in New York.

Christo passed on May 31, 2020 in New York.

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