Linocut on paper, 1958
Print : lithography · 47.2 x 64.7 cm 18.6 x 25.5 inch
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Shipped from: Italy
Delivery to: United Kingdom , £ 131
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 150 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
47.2 x 64.7 cm 18.6 x 25.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Linocut on paper.
Edited in 1958.
Limited edition of 150 copies, numbered 83/150 in lower left corner.
Hand-signed by artist in pencil in the lower right margin.
Paper size: 47.2 x 64.7 cm
Very good conditions, a few minor flaws
Bibliography: Capogrossi – Das graphische werk p. 34 ref 25
A regular certificate of Authenticity and legitimate provenience is provided, and also a copy of publication of the reference catalogue.
Presentation
After finishing his studies in law in 1922, Capogrossi moved to Paris in 1927 where he visited studios and academies and got fmiliarized with the new artistic trends. In 1937, he left Paris and began working as a painter in the center of Italy, dedicating his work to portraying the rural life of the area.
Back in Rome, Capogrossi studied at the Artistic School of the city. In 1949 he founded the group called "Origin" with Alberto Burri, Mario Balloco and Ettore Colla and turned to Neo-cubism. Gradually, his work, which was originally influenced by Picasso, Modigliani and Renoir lost all semblance to Realism and by the 50s, his artistic production started to be exclusively abstract.
Guiseppe Capogrossi is part of the New Roman School of Painting and acquired over the years a major importance in the informal Italian landscapes. He created his own abstract pictorial language composed of abstract ornamental signs of horizontal and oval shapes.
He participated as a guest for several years in exhibitions at the Venice Biennale, the Rome Quadrennial and at the price of Bergamo in 1939, 1940 and 1942. He also participated several times at the Documenta exhibition in Kassel and at the San Paolo Biennale in Brazil. In 1960, he exhibited at the 2nd International Biennial of Tokyo.
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