America's Favorite, 2010
Print : Screen Print · 46 x 61 cm 18.1 x 24 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 400 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
46 x 61 cm 18.1 x 24 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
"I have been an environmental advocate and supporter of clean energy and conservation for many years, leading me to make several art pieces dealing with these topics as well. In my “May Day” show I wanted to address current issues and also celebrate some of my favorite artists, musicians, and activists from the past. With my flag series I was referencing Jasper Johns, other images reference Warhol and Rauschenberg.
This “America’s Favorite” gas station image was created before the BP spill as a way to comment on our addiction to oil and suggest that it should be in its twilight, but also to pay tribute to artist Ed Ruscha and his beautiful “Standard Station” series of paintings and prints. There is an emotional sense of nostalgia and Americana conjured by an iconic gas station, maybe even a sense of freedom and exploration. However, we all know that nostalgia can be the enemy of progress.
Oil extraction is a dead end. I was just in Portland Oregon for two weeks, and that city is proof that people can change their energy and consumption habits. Yes, there was a bit of self-righteousness to some of the environmentalism, but withstanding that, the place overall is very healthy, friendly, and conscientious. Aside from not being able to get Equal for my coffee (I’m type 1 diabetic, and sugar is bad for me) I did not find my lifestyle at all compromised by Portland’s environmentalism. In the wake of the BP spill the “America’s Favorite” gas station image is even more relevant. I will be donating a portion of the proceeds from this print to the NRDC-¦ Natural Resources Defense Council.
I will also be releasing a couple prints inspired by the Gulf of Mexico spill and will be donating to charities helping with the cleanup there. Look out for those in coming weeks. If you don’t know Ed Ruscha’s work check it out."
- Shepard
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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