Village Cricket, 2025
Print : pigment ink, inkjet, digital print · 111.8 x 83.8 x 0.3 cm 44 x 33 x 0.1 inch
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United Kingdom , £ 10
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 25 copies
25 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
111.8 x 83.8 x 0.3 cm 44 x 33 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2022
Description
This digital composition explores the fragmentation of daily life through an abstract prism. The gaze travels between saturated splashes of color and fluid forms. Human silhouettes, trees, and motorized vehicles emerge from interwoven geometric zones.
The work with light transforms mundane objects into dreamlike elements. Each segment of the image seems superimposed, creating a visual depth where the real blends with the imaginary. The digital printing technique with pigment inks ensures rigorous chromatic precision.
The artist manipulates textures to stimulate the viewer's imagination. Curves and angles intersect to suggest perpetual movement. The contrast between dark areas and vivid hues structures the space.
This conceptual work invites a personal and changing reading. The whole unfolds like a contemporary mosaic. The work is characterized by the use of dense pigments and sharp lines.
Presentation
Stemming from an idea that began 7 years ago, David A Pinegar’s images present a new and immediate way of seeing. The subjects in David’s images are everyday objects found around the house, but through the discovery of a new method of intensifying colour and light, his images present an original view of reality.
Wall of Colour is David’s first series of fine art pieces. A commercial photographer of 30 years, David’s abstract work provides a platform for him to manipulate the powerful elements that lay behind and attached him to his previous pictures - light, texture, and colour. ‘Painting’ with these elements, David subjects are carefully constructed before the picture is taken, allowing each component to be completely absorbed by the lens. The result is a series of images, presents a completely unique viewpoint, one that reveals the bewitching power of magnified vision.
David’s images transform colour and light into fluid layers, intricately, pushing and pulling them before us. The potential of David’s images to enrich the imagination is huge, each diving and twisting shape becoming something different in the eye go the beholder. Indeed, it is David’s intention is to stimulate the mind, allowing the intensity of colour and rippling textures to encourage the indulgence of enigmatic thoughts.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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