The Plough, 2026
Print : inkjet, collage, fine art print, giclée · 80 x 100 x 0.01 cm 31.5 x 39.4 x 0 inch
Shipping & delivery
Shipped from: Spain
Delivery to: Switzerland , CHF 74
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
80 x 100 x 0.01 cm 31.5 x 39.4 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This field is to my right as I take the dog for a walk and it has remained the same for over two weeks. The return of the Plough is imminently expected, but has provided a source of inspiration and incorporates a pastel drawing from several years ago.
A study in luminosity and atmosphere. This piece explores the intersection of digital precision and painterly intuition. Soft gradients collide with structured textures. The upper register presents a deep, brooding purple sky. It evokes a sense of vastness and quiet anticipation. Below, a radiant field of yellow dominates the composition. The application of color reminds one of the early Renaissance masters. There is a clear dialogue between light and shadow. Precise, grid-like patterns emerge within the golden expanse. These elements hint at a photographic origin. They reflect a career rooted in the art of exposure and montage. The transition between the warm foreground and the cool horizon creates a subtle tension. It suggests a boundary between the tangible and the ethereal. The composition remains balanced yet enigmatic. Every brushstroke and digital layer contributes to a meditative mood. It is an investigation into the nature of representation. The artwork concludes with a sharp vertical divide on the right side. This partition introduces a muted terracotta tone. It anchors the ethereal light of the golden field.
Presentation
Born in 1956 in Britain Jane Munro is a fresh and exciting new artist to the art market. She has followed a continuous path in the field of visual imagery since obtaining a BA degree in Film and Photographic Arts from the Polytechnic of Central London in 1981 where she was tutored by Victor Burgin and Simon Watney and became part of the group known as the PolySnapper with Jo Spence. Subsequently she created a photographic studio in Dalston, London which undertook commissions for publishing groups, PR companies and advertising agencies whilst continuing to create a career in portraiture. In the 1990s she set up a photographic and design studio in Birmingham. During these years a style began to emerge that germinated the seeds for later developments and the move into mixed media, montage and digital artwork. Throughout this time, she was using double exposure techniques both in her commercial work and in in the creative sphere which has formed many of the building blocks that underpin her current trajectory. Jane has received many commissions throughout her career that has taken her across the globe informing her in the current artwork that she is now producing.
The ongoing debate of representation and its cultural significance in a societal context has always been at the heart of her work. The advent of technological changes was propitious in many ways and enhanced her visual lexicon, opening-up an entirely new palette of possibilities.
More recently her work has developed and matured into a comprehensive style that is entirely unique in this field,pertinent to contemporary events and the eternal human questions of love, death and loss. 'Crossing The Divide', featuring a mother and son relationship was shown and sold at the London Art Biennale 2025.
Grounded in a love of the History of Art with strong influences from the Early Renaissance defined by the works of Masaccio and Piero De La Francesca through Expressionism and to Abstract Expressionism it is possible to trace some of the key elements that provide the foundations upon which the work has emerged. Through the digital revolution in photography, Jane arrived full circle to her original passion for drawing and montage.
Reviews from our customers
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