BIG 94 Mtn, 2026
Josselin Kayser  

Sculpture : marble · 37 x 13 x 13 cm 14.6 x 5.1 x 5.1 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

marble , without pedestal

Dimensions ( cm • inch )

37 x 13 x 13 cm 14.6 x 5.1 x 5.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

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Description

Urban art meets the nobility of the material here. This sculpture transposes an everyday object, a spray can, into the permanence of marble.
The technical work relies on a rigorous mastery of stone carving. The hyperrealistic rendering precisely captures the irregularities and the rough texture of the surface.
This dialogue between hip hop culture and classical statuary questions our relationship to the ephemeral. The object, a symbol of speed and spontaneous gesture, becomes a permanent and immutable piece.
The natural whiteness of the stone highlights the sculptural details and the nuances of relief.
The artist plays with contrasts by transforming a street tool into a sophisticated work of art.
This creation is part of a contemporary Pop Art approach where the banal is magnified.
The cylindrical silhouette ends with a finely chiseled summit, respecting the exact shape of the original object.

France  • 1990

Presentation

Josselin Kayser was born in 1990, in the north-east of France in Reims. Already at a young age, he was passionate about street culture, music, art and skateboarding, which he practiced at a high level for several years. And when he wasn't grinding a ramp, he had a pencil in his hand. It was obvious that he first undertook studies in architecture, where his interest in the material was born, particularly stone and the buildings that are composed of it. He then decided to pursue training in stone cutting. He worked on numerous restoration projects for historical monuments such as the Cathedral of Reims, Châlons-en-Champagne and the town hall of Reims. Alongside his job, he began sculpting stone and marble at home, creating his first pieces, inspired by skateboard culture, his first sneakers were born, a Nike Janoski. The detail to put words, he decides to specialize in the theme of Sneakers exploring the diversity of the world of Hip Hop, profiling the effect of realism to perfection. Perfecting his technique down to the smallest details, Josselin Kayser combines with talent, hyperrealism, modernity and homage to the material.

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