Natasha Bernardo

Natasha Bernardo researches and reproduces, incessantly, the concept of eternity within the movement simulated by natural fiber fabrics and shapes of nature in sculpture.

Based on moulage, a technique created in France by Madame Vionnet in the 1930s, as a study of three-dimensional shapes in the human body, with the aim of creating extremely fluid and natural draping, moulage reigns as the main technique in Bernardo's work. Coming from the artist's extensive background in fashion ateliers, Bernardo seeks to materialize and perpetuate, through sculpture, fantastic scenes in which the image of movement is reproduced by the silk drapery applied to the human body in sculpture.