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La Mezzana
Mino Maccari
Fine Art Drawings - 28 x 22 x 0.1 cm Fine Art Drawings - 11 x 8.7 x 0 inch
£356
Bâches bleues devant la Salute
Célestin Messaggio
Painting - 81 x 100 x 2 cm Painting - 31.9 x 39.4 x 0.8 inch
£6,141
Peak Mid Winter #9
Jonathan Moore
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
£750
Vision blanche
Yves Bordes Lapeyre
Photography - 60 x 90 x 0.5 cm Photography - 23.6 x 35.4 x 0.2 inch
£792
Préparatifs la veille de fête
Eugenia Jaeger
Painting - 140 x 100 x 2 cm Painting - 55.1 x 39.4 x 0.8 inch
£3,115
3 - La montée de Persephone
Mita Vostok
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
£712
Danseuse de porcelaine
Serge Kalinowski
Painting - 116 x 89 x 5 cm Painting - 45.7 x 35 x 2 inch
£2,225
Tic
Sébastien Boismoreau (BEUS)
Fine Art Drawings - 17 x 13 x 0.1 cm Fine Art Drawings - 6.7 x 5.1 x 0 inch
£623
Life at Jokulsarlon 01 - Jokulsarlon, Iceland
Nathan Soulez-Larivière
Photography - 80 x 120 cm Photography - 31.5 x 47.2 inch
£579
Ballon de rugby
Les Frères Guinet
Sculpture - 30 x 20 x 20 cm Sculpture - 11.8 x 7.9 x 7.9 inch
£2,136
Black panther Blanc ivoire alpha - statue résine pop art street art
DED2008
Sculpture - 16 x 50 x 9 cm Sculpture - 6.3 x 19.7 x 3.5 inch
£712
She Went to a Party in a White Dress
Karin Lowney Seed
Painting - 25.4 x 25.4 x 2.5 cm Painting - 10 x 10 x 1 inch
£287
Don Quijote de La Mancha
Jose Manuel Merello
Fine Art Drawings - 13.5 x 21.5 cm Fine Art Drawings - 5.3 x 8.5 inch
£445
Aiguille du Grépon
Eric Bouvet
Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch
£1,602
L’Aiguille Verte
Eric Bouvet
Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch
£1,602
Descente de l’arête de l’Aiguille du midi
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
£1,246
Les Drus et La Verte
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
£1,246
Glacier d’Argentière
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
£846
Les Aiguilles de Chamonix vues de l’Index
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
£846
The joy of spring
Viet Ha Tran
Photography - 100.1 x 149.9 x 0.3 cm Photography - 39.4 x 59 x 0.1 inch
£2,459
Thought chaos in tears
Jacqueline Dey
Painting - 50 x 59.9 x 1.8 cm Painting - 19.7 x 23.6 x 0.7 inch
£406
Lost words 1
Dzovig Arnelian
Photography - 62 x 40 x 0.5 cm Photography - 24.4 x 15.7 x 0.2 inch
£205
A conversation with a therapist 7
Dzovig Arnelian
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
£205
A conversation with a therapist 6
Dzovig Arnelian
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
£205
Parisi175 – Academic Reference N.4
Alejandro Martin Parisi
Painting - 61 x 64 x 2 cm Painting - 24 x 25.2 x 0.8 inch
£1,869
La cigogne et le renard
Jean Duranel
Painting - 41 x 33 x 2 cm Painting - 16.1 x 13 x 0.8 inch
£1,202
Bird
Martin Bradley
Fine Art Drawings - 75 x 57 x 0.2 cm Fine Art Drawings - 29.5 x 22.4 x 0.1 inch
£2,848
The plow on the fields
André Dunoyer de Segonzac
Print - 32 x 23 x 0.1 cm Print - 12.6 x 9.1 x 0 inch
£525
Vintage roller
Franck Savoye (Francky)
Painting - 60 x 25 x 2 cm Painting - 23.6 x 9.8 x 0.8 inch
£401
À la trompette
Alban Garachon
Fine Art Drawings - 42 x 50 cm Fine Art Drawings - 16.5 x 19.7 inch
£490
Rainy days in Manila I
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Manila IX
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Manila XI
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Saigon III
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Saigon IV
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Saigon V
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Saigon VI
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Saigon IX
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Tokyo I
Sven Pfrommer
Photography - 120 x 80 x 3 cm Photography - 47.2 x 31.5 x 1.2 inch
£1,771
Rainy days in Tokyo III
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Tokyo VIII
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Tokyo IX
Sven Pfrommer
Photography - 120 x 80 x 3 cm Photography - 47.2 x 31.5 x 1.2 inch
£1,771
Rainy days in Tokyo X
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Tokyo XI
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Rainy days in Tokyo XII
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Wild lens - Horses III
Sven Pfrommer
Photography - 70 x 140 x 3 cm Photography - 27.6 x 55.1 x 1.2 inch
£1,771
Wild lens - Horses II
Sven Pfrommer
Photography - 70 x 140 x 3 cm Photography - 27.6 x 55.1 x 1.2 inch
£1,771
Wild lens - Horses I
Sven Pfrommer
Photography - 70 x 140 x 3 cm Photography - 27.6 x 55.1 x 1.2 inch
£1,771
Wild lens - Elephant XIX
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Wild lens - Elephant XI
Sven Pfrommer
Photography - 70 x 140 x 3 cm Photography - 27.6 x 55.1 x 1.2 inch
£1,771
Wild lens - Elephant X
Sven Pfrommer
Photography - 80 x 120 x 3 cm Photography - 31.5 x 47.2 x 1.2 inch
£1,771
Wild lens - Big Five II
Sven Pfrommer
Photography - 50 x 150 x 3 cm Photography - 19.7 x 59.1 x 1.2 inch
£1,682
Wild lens - Penguins
Sven Pfrommer
Photography - 50 x 150 x 3 cm Photography - 19.7 x 59.1 x 1.2 inch
£1,682
Rainy days in New York IV
Sven Pfrommer
Photography - 120 x 80 x 3 cm Photography - 47.2 x 31.5 x 1.2 inch
£1,771
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!