Presentation
Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.
Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.
Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.
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Sreesha, Portrait. From The Series The Third Gender of India
Jill Peters
Photography - 89.4 x 70.4 x 0.3 cm
$5,000
Sneha, Portrati. From The Series The Third Gender of India
Jill Peters
Photography - 89.4 x 70.4 x 0.3 cm
$5,000
Debo, Portriat. From The Series The Third Gender of India
Jill Peters
Photography - 89.4 x 70.4 x 0.3 cm
$5,000
Julie, Portrait. From The Series The Third Gender of India
Jill Peters
Photography - 89.4 x 70.4 x 0.3 cm
$5,000
Vijay, Protrait. From The Series The Third Gender of India
Jill Peters
Photography - 61 x 41.1 x 0.3 cm
$3,500
Anusha, Protrait. From The Series The Third Gender of India
Jill Peters
Photography - 61 x 41.1 x 0.3 cm
$3,500
Banu, Protrait. From The Series The Third Gender of India
Jill Peters
Photography - 61 x 41.1 x 0.3 cm
$3,500
Sri, Protrait. From The Series The Third Gender of India
Jill Peters
Photography - 61 x 41.1 x 0.3 cm
$3,500
Harsha, Protrait. From The Series The Third Gender of India
Jill Peters
Photography - 152.4 x 101.6 x 0.3 cm
$7,000
Shreya, Protrait. From The Series The Third Gender of India
Jill Peters
Photography - 152.4 x 101.6 x 0.3 cm
$7,000
Muskan, Portrait. From The Series The Third Gender of India
Jill Peters
Photography - 152.4 x 101.6 x 0.3 cm
$7,000
Sangita, Portrait. From The Series The Third Gender of India
Jill Peters
Photography - 152.4 x 101.6 x 0.3 cm
$7,000
Exhibitions dedicated to Jill Peters
The Art Design Project - Art Gallery
Collective Art Installation -Summer 2023
From April 26, 2023 to September 21, 2023
The Art Design Project - Art Gallery
Between the Lines: An Online Exhibition
From October 19, 2019 to December 2, 2019
The Art Design Project - Art Gallery
All or Nothing: An Online Exhibition
From August 22, 2018 to September 15, 2018
The Art Design Project - Art Gallery
Water: Color and Black and White Photography
From October 6, 2018 to November 26, 2018
Discover our selections of works by artists
Who is the artist?
Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper's Bazaar, LIFE, Interview, Details, George, Vanity Fair, and many more publications.
Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track.
Shooting mostly from the air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man's wider imprint on nature. Whether it's the graphics symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present.
Jill was recognized in Photo Lucida's Critical Mass Top 50 international competition, 2013, and the New York Photo Festival 2013. Her work has been exhibited in group shows this spring at Houston Center for Photography, Corden/Potts in San Francisco and Powerhouse Arena in New York 2014.
What are their 3 main works?
What is Jill Peters’s artistic movement?