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Perpetuum Mobile
Gagik Ghazanchyan
Painting - 60 x 80 x 0.3 cm Painting - 23.6 x 31.5 x 0.1 inch
$1,705 $1,535
Peinture 11-2023-70
Alain Bécanne
Painting - 100 x 150 x 4.5 cm Painting - 39.4 x 59.1 x 1.8 inch
$1,705
Hotel Chelsea, New York. Fourth Floor, South
Victoria Cohen
Photography - 67.6 x 101.6 x 0.3 cm Photography - 26.6 x 40 x 0.1 inch
$3,200
Coin Coin Colors
Bernard Saint-Maxent
Painting - 29 x 24 x 3 cm Painting - 11.4 x 9.4 x 1.2 inch
$330
Chapelle à Uzès - église et paysage du Gard
Claude Frégère
Painting - 49 x 65 x 2 cm Painting - 19.3 x 25.6 x 0.8 inch
$1,125
Aus dem Gruppenbuch der Christiane P. - Umerziehung Der Vögel II
Matthias Leupold
Photography - 50 x 40 x 0.1 cm Photography - 19.7 x 15.7 x 0 inch
$1,023
Kara et ses oreilles
Fatoumata Diabaté
Photography - 100 x 66 x 2 cm Photography - 39.4 x 26 x 0.8 inch
$3,410
Untitled soft in white
Ronald Hunter
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$1,363
Diptych: Dream Within A Dream
Ewa Matyja
Painting - 180 x 300 x 0.1 cm Painting - 70.9 x 118.1 x 0 inch
$8,009
Communion Sylvestre
Corine Lescop
Painting - 70 x 70 x 2.5 cm Painting - 27.6 x 27.6 x 1 inch
$1,478
The butterfly effect
Antoine Josse
Painting - 80 x 80 x 3 cm Painting - 31.5 x 31.5 x 1.2 inch
$2,956
Faune Sauvage
Emmanuelle Van Laere NEL-14512
Sculpture - 25 x 10 x 10 cm Sculpture - 9.8 x 3.9 x 3.9 inch
$3,865
Midnight Flowers
Kirill Postovit
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
$1,705
30cm Heart CH Tribute Black
Naor
Sculpture - 30 x 15 x 10 cm Sculpture - 11.8 x 5.9 x 3.9 inch
$1,512
35cm Teddy CH Tribute, Chrome White
Naor
Sculpture - 35 x 25 x 28 cm Sculpture - 13.8 x 9.8 x 11 inch
$1,330
Winter forest - 3d minimalism textured abstraction
Nataliia Krykun
Painting - 40 x 30 x 2 cm Painting - 15.7 x 11.8 x 0.8 inch
$966
Majesty in Monochrome
Tamar Nazaryan
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,200
Peinture 11-2023-67
Alain Bécanne
Painting - 120 x 120 x 4.5 cm Painting - 47.2 x 47.2 x 1.8 inch
$1,364
Luxury Art Toffee - Playing Cards (Black)
Ad Van Hassel
Sculpture - 33 x 10 x 10 cm Sculpture - 13 x 3.9 x 3.9 inch
$256
Hypomnema 3, Wall sculpture
Ivan Castiblanco
Sculpture - 74.9 x 74.9 x 33.8 cm Sculpture - 29.5 x 29.5 x 13.3 inch
$2,500
L'oiseau qui rêve de Mer - Miniature 3
Pauline Couble
Sculpture - 11 x 6 x 10 cm Sculpture - 4.3 x 2.4 x 3.9 inch
$398
Marine abstraite 2024-48
Fred Boutet
Painting - 50 x 100 x 4 cm Painting - 19.7 x 39.4 x 1.6 inch
$682
Variations cinétiques 3
Piero Cipolat
Painting - 50 x 50 x 4 cm Painting - 19.7 x 19.7 x 1.6 inch
$1,330
London, lithograpie originale
Tony Soulié
Print - 90 x 76 x 0.5 cm Print - 35.4 x 29.9 x 0.2 inch
$1,023
Serre-Tête
Emmanuelle Van Laere NEL-14512
Sculpture - 85 x 25 x 20 cm Sculpture - 33.5 x 9.8 x 7.9 inch
$8,412
L'Arbre du Lac
Sinden Collier
Photography - 41 x 61 x 0.1 cm Photography - 16.1 x 24 x 0 inch
$1,819
Slimming festival
Akio Harada
Painting - 30.5 x 30.5 x 3.8 cm Painting - 12 x 12 x 1.5 inch
$1,364 $1,091
Smell of beard
Akio Harada
Painting - 40.6 x 40.6 x 3.8 cm Painting - 16 x 16 x 1.5 inch
$1,819 $1,455
Guri and Guri
Akio Harada
Painting - 40.6 x 40.6 x 3.8 cm Painting - 16 x 16 x 1.5 inch
$1,819 $1,455
La imagen distorsionada de Dios, de la serie Homo vs Sapiens
Gustavo Díaz Sosa
Painting - 45 x 60 x 4 cm Painting - 17.7 x 23.6 x 1.6 inch
$2,615
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!