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Progreso
Reyner
Fine Art Drawings - 29 x 19 x 0.03 cm Fine Art Drawings - 11.4 x 7.5 x 0 inch
€1,450
Girasoles
Reyner
Fine Art Drawings - 29 x 19 x 0.03 cm Fine Art Drawings - 11.4 x 7.5 x 0 inch
€1,000
Colourful Brain by David
Dervis Akdemir
Sculpture - 75 x 30 x 25 cm Sculpture - 29.5 x 11.8 x 9.8 inch
€909
Have you seen the moon tonight? 3
Laura Spring
Painting - 50.8 x 50.8 x 2 cm Painting - 20 x 20 x 0.8 inch
€579
The portrait (after giles deacon) forbidden collage (4)
Julien Delagrange
Fine Art Drawings - 110.2 x 80.1 x 0.1 cm Fine Art Drawings - 43.4 x 31.5 x 0 inch
€4,080
Le Sentier
Éric Dabancourt
Fine Art Drawings - 15 x 21 x 2 cm Fine Art Drawings - 5.9 x 8.3 x 0.8 inch
€190
Gliding Towards Tomorrow II,
Kpe Innocent
Painting - 80 x 80 x 5 cm Painting - 31.5 x 31.5 x 2 inch
€4,000
Shadow Guzzler nr. 2
Marek Uhlir
Painting - 70.1 x 59.9 x 2.5 cm Painting - 27.6 x 23.6 x 1 inch
€599
Baby Doll n148, CH Tribute
Rachel Bergeret
Painting - 72 x 42 x 2 cm Painting - 28.3 x 16.5 x 0.8 inch
€3,450
Mini collector Draw me a bear
Stéphane Gautier
Print - 25 x 25 x 1 cm Print - 9.8 x 9.8 x 0.4 inch
€600
Contemporary portrait "Photo for Memory"
Nataliya Bagatskaya
Painting - 80 x 55 x 1.5 cm Painting - 31.5 x 21.7 x 0.6 inch
€1,300
New York Black & White
Sabine Kalka
Painting - 50 x 150 x 4 cm Painting - 19.7 x 59.1 x 1.6 inch
€2,000 €1,800
On Top Of The World II (4)
Tyler Shields
Photography - 213.4 x 160 cm Photography - 84 x 63 inch
€48,282
On Top Of The World II (3)
Tyler Shields
Photography - 182.9 x 142.2 cm Photography - 72 x 56 inch
€24,141
On Top Of The World II (2)
Tyler Shields
Photography - 152.4 x 114.3 cm Photography - 60 x 45 inch
€14,485
On Top Of The World II (1)
Tyler Shields
Photography - 101.6 x 76.2 cm Photography - 40 x 30 inch
€9,656
Un Vuelo Color Blanco
Adriana Velarca
Painting - 50 x 50 x 3 cm Painting - 19.7 x 19.7 x 1.2 inch
€4,250
Stabilität - Stability
Elke Eiermann
Painting - 40 x 40 x 4 cm Painting - 15.7 x 15.7 x 1.6 inch
€1,000
Porsche 75th years anniversary Helmet
Ian Philip
Sculpture - 7 x 5 x 5.5 cm Sculpture - 2.8 x 2 x 2.2 inch
€2,800
Hercules in Flight
Dervis Akdemir
Sculpture - 40 x 29 x 20 cm Sculpture - 15.7 x 11.4 x 7.9 inch
€546
A & M Cafe - Arts et Métiers, Paris 3ème
Linda Moufadil
Painting - 60 x 60 x 2 cm Painting - 23.6 x 23.6 x 0.8 inch
€1,600
David in Meditation with Neon Design
Dervis Akdemir
Sculpture - 36 x 27 x 12 cm Sculpture - 14.2 x 10.6 x 4.7 inch
€691
Heart in white - Love, Amour, Amore, Liebe 3D plaster
Nataliia Krykun
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
€3,000
Breaking bad again
Marcelo Novo
Painting - 50.8 x 40.6 x 1.3 cm Painting - 20 x 16 x 0.5 inch
€1,284
Neue Kammern Enfilade I. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 152.4 x 101.6 x 0.3 cm Photography - 60 x 40 x 0.1 inch
€7,967
Neue Kammern Potsdam VI. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 152.4 x 101.6 x 0.3 cm Photography - 60 x 40 x 0.1 inch
€7,967
Neue Kammern Enfilade IV. From the Neue Kammern Enfilades series
Celia Rogge
Photography - 101.6 x 152.4 x 0.3 cm Photography - 40 x 60 x 0.1 inch
€7,967
Lumière du matin... (Esprit Voile)
Olivier Messas
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
€1,000
Coluche - Iconic portraits
Arnaud Baumann
Photography - 60 x 40 x 0.1 cm Photography - 23.6 x 15.7 x 0 inch
€600
Titty et Coucou au marché, Saint-Denis
Enfant Précoce / Francis Essoua Kalu
Painting - 180 x 156 x 2 cm Painting - 70.9 x 61.4 x 0.8 inch
€14,000
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!