Gestural abstraction

The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."

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Gestural abstraction

Happy - Minimalist Abstract (Abstrait Minimaliste)

Melting 5 - Minimalist Abstract (Abstrait Minimaliste)

Melting 4 - Minimalist Abstract (Abstrait Minimaliste)

Le Dernier Chapiteau

Sans titre 24

Hand painted I

Spring flowers

Pourpre céruléen

Bleu fauve (1)

Rouge Venise (1)

Gris London (1)

Just a girl

Start me up

The man who sold the world

Let me alone

Knockin’ on Heaven’s door

Smells Like Teen Spirit 2

Hysteria

Feeling Good 2

Arbre de vie

Elements n°11

Elements n°5

L'oeil du cyclone

Labyrinthe

Matières

Rising to the starscape

The Vanishing Gertrude Stein

Menton

Monaco, Port Hercules

Miro et moi

Nightmares-XI

Nightmares-X

Nightmares-XII

Nightmares-IV

Sans titre

Lucioles dans le ciel nocturne

J'ai mal aux yeux

Els arbres ploren II

Daisies

Summer cruise

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Élégance

Embrasement

Linear Momentum

couleurs en lumière

Spirale infernale

Marsfeld CXX

Marsfeld IV

Le bleu des jours sans toi

Création A358 avec ou sans cadre

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Fiery dimensions 2

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Carmin Spectra ( Florescent garden) 2

Behind the landscape

Natures luminescence 1

In early spring (A closer look)

Natures luminescence 2

Daydream panorama (Natures Imagery) 29

Daydream panorama (Natures Imagery) 35

Daydream panorama (Natures Imagery) 36

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Somewhere in Between (Orange refractions)

Daring Natural Synergy 3

Nighttime fearlessness 7