Black and White Photography for Sale

Photography, Taj Mahal Gateway, Felice Beato

Taj Mahal Gateway

Felice Beato

Photography - 61 x 50.8 cm Photography - 24 x 20 inch

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Photography, Orchid, Iran Issa-Khan

Orchid

Iran Issa-Khan

Photography - 48.3 x 58.4 x 0.3 cm Photography - 19 x 23 x 0.1 inch

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Photography, Une parisienne à Bicyclette, Sylvia Galmot

Une parisienne à Bicyclette

Sylvia Galmot

Photography - 60 x 80 cm Photography - 23.6 x 31.5 inch

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Photography, Dizzy Gillespie, Harry Hammond

Dizzy Gillespie

Harry Hammond

Photography - 50.8 x 50.8 cm Photography - 20 x 20 inch

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Photography, Greta Garbo with hat, portrait, Clarence Sinclair Bull

Greta Garbo with hat, portrait

Clarence Sinclair Bull

Photography - 35.6 x 27.9 x 0.3 cm Photography - 14 x 11 x 0.1 inch

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Photography, Qutab Minar, Shepherd & Robertson

Qutab Minar

Shepherd & Robertson

Photography - 101.6 x 76.2 cm Photography - 40 x 30 inch

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Photography, Nude #14, Platinum Palladium print, Seike Tomio

Nude #14, Platinum Palladium print

Seike Tomio

Photography - 24.1 x 20.3 x 3.8 cm Photography - 9.5 x 8 x 1.5 inch

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Photography, Corrida 4, Pierre Casbas

Corrida 4

Pierre Casbas

Photography - 42 x 59.4 cm Photography - 16.5 x 23.4 inch

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Photography, Paysage ethnographique #6, Jean-Pierre Attal

Paysage ethnographique #6

Jean-Pierre Attal

Photography - 120 x 160 cm Photography - 47.2 x 63 inch

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Photography, Interférence 22, Florie Adda

Interférence 22

Florie Adda

Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch

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Photography, Scepter, Edgar Nabla

Scepter

Edgar Nabla

Photography - 140 x 90 x 0.5 cm Photography - 55.1 x 35.4 x 0.2 inch

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Photography, Node, Edgar Nabla

Node

Edgar Nabla

Photography - 130 x 70 x 0.5 cm Photography - 51.2 x 27.6 x 0.2 inch

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Photography, Baspa Valley, Samuel Bourne

Baspa Valley

Samuel Bourne

Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch

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Photography, Wellenelement Inverse Transformation 1, Hein Gravenhorst

Wellenelement Inverse Transformation 1

Hein Gravenhorst

Photography - 50 x 50 cm Photography - 19.7 x 19.7 inch

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Photography, Mer de Chine, Boat People, José Nicolas

Mer de Chine, Boat People

José Nicolas

Photography - 60 x 50 x 0.1 cm Photography - 23.6 x 19.7 x 0 inch

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Photography, Countryside IV., Karol Kállay

Countryside IV.

Karol Kállay

Photography - 59 x 49 cm Photography - 23.2 x 19.3 inch

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Photography, Sœur pleurant son frère, James Nachtwey

Sœur pleurant son frère

James Nachtwey

Photography - 38 x 56 x 1 cm Photography - 15 x 22 x 0.4 inch

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Photography, Courant d'air, Daniel Waks

Courant d'air

Daniel Waks

Photography - 60 x 55 cm Photography - 23.6 x 21.7 inch

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Photography, Beach Gateway, Antoine Gaussin

Beach Gateway

Antoine Gaussin

Photography - 90 x 190 x 5 cm Photography - 35.4 x 74.8 x 2 inch

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Photography, Ice Block, Iceland, Gonçalo Martins

Ice Block, Iceland

Gonçalo Martins

Photography - 19 x 19 x 0.1 cm Photography - 7.5 x 7.5 x 0 inch

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Photography, 24h du Mans, Jacques Violet

24h du Mans

Jacques Violet

Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch

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Photography, Peter Keetman Portfolio 1936–1960, Peter Keetman

Peter Keetman Portfolio 1936–1960

Peter Keetman

Photography - 121.9 x 254 x 0.3 cm Photography - 48 x 100 x 0.1 inch

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Photography, Legère brise, Alain Longeaud

Legère brise

Alain Longeaud

Photography - 65 x 50 x 0.5 cm Photography - 25.6 x 19.7 x 0.2 inch

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Photography, Johnny Hallyday. Seul dans la rue à Paris, le 2 Mars 1987, Francis Apesteguy

Johnny Hallyday. Seul dans la rue à Paris, le 2 Mars 1987

Francis Apesteguy

Photography - 42 x 30 x 1 cm Photography - 16.5 x 11.8 x 0.4 inch

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Photography, In Exile, Steve Sabella

In Exile

Steve Sabella

Photography - 125 x 138 x 5 cm Photography - 49.2 x 54.3 x 2 inch

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Photography, Méditation sur la beauté n°1 : L'insaisissable, Anne Colson

Méditation sur la beauté n°1 : L'insaisissable

Anne Colson

Photography - 30 x 40 cm Photography - 11.8 x 15.7 inch

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Photography, Fosters Pond, Arno Rafael Minkkinen

Fosters Pond

Arno Rafael Minkkinen

Photography - 70 x 50 x 0.1 cm Photography - 27.6 x 19.7 x 0 inch

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Photography, Lion, Jean-Pierre Ronzel

Lion

Jean-Pierre Ronzel

Photography - 39 x 29 x 1 cm Photography - 15.4 x 11.4 x 0.4 inch

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Photography, Hip Hop sous la Tour Eiffel, Amadou Gaye

Hip Hop sous la Tour Eiffel

Amadou Gaye

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, Hip Hop sous la Tour Eiffel, Amadou Gaye

Hip Hop sous la Tour Eiffel

Amadou Gaye

Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch

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Photography, Untitled (Hand and wall), Mikael Siirilä

Untitled (Hand and wall)

Mikael Siirilä

Photography - 22 x 15 cm Photography - 8.7 x 5.9 inch

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Photography, Eiger, Thomas Crauwels

Eiger

Thomas Crauwels

Photography - 135 x 80 x 1 cm Photography - 53.1 x 31.5 x 0.4 inch

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Photography, Via Veneto #10, Gilles Mercier

Via Veneto #10

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Via Veneto #9, Gilles Mercier

Via Veneto #9

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Via Veneto #8, Gilles Mercier

Via Veneto #8

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Via Veneto #7, Gilles Mercier

Via Veneto #7

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Via Veneto #6, Gilles Mercier

Via Veneto #6

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Via Veneto #5, Gilles Mercier

Via Veneto #5

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Via Veneto #4, Gilles Mercier

Via Veneto #4

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, 24h du Mans, Jacques Violet

24h du Mans

Jacques Violet

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, 24h du Mans 1970-La fumée au départ des bolides de la 38e édition, 13 juin 1970., Jacques Violet

24h du Mans 1970-La fumée au départ des bolides de la 38e édition, 13 juin 1970.

Jacques Violet

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, 24h du Mans 1970-La MS 650 n°32 de Brabham et Cevert accidentée lors des essais, 10 juin 1970., Jacques Violet

24h du Mans 1970-La MS 650 n°32 de Brabham et Cevert accidentée lors des essais, 10 juin 1970.

Jacques Violet

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, Beach 43, Marc Harrold

Beach 43

Marc Harrold

Photography - 65 x 145 x 5 cm Photography - 25.6 x 57.1 x 2 inch

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Photography, 24h du Mans 1970-Steve McQueen venu en repérages pour son film « Le Mans » qu’il tournera l’année suivante, 13 ou 14 juin 1970., Jacques Violet

24h du Mans 1970-Steve McQueen venu en repérages pour son film « Le Mans » qu’il tournera l’année suivante, 13 ou 14 juin 1970.

Jacques Violet

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, Végétal I, Ilanit Illouz

Végétal I

Ilanit Illouz

Photography - 42 x 29 cm Photography - 16.5 x 11.4 inch

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Photography, Where they fall, Kramer O'Neill

Where they fall

Kramer O'Neill

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, Without title, Jenny Owens

Without title

Jenny Owens

Photography - 9 x 20 x 1 cm Photography - 3.5 x 7.9 x 0.4 inch

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Photography, Human Dunk, Jean-Michel Landon

Human Dunk

Jean-Michel Landon

Photography - 45 x 30 x 0.1 cm Photography - 17.7 x 11.8 x 0 inch

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Photography, Via Veneto #1, Gilles Mercier

Via Veneto #1

Gilles Mercier

Photography - 30 x 30 x 1 cm Photography - 11.8 x 11.8 x 0.4 inch

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Photography, Christer Stromholm, Christer Stromholm

Christer Stromholm

Christer Stromholm

Photography - 30 x 24 x 1 cm Photography - 11.8 x 9.4 x 0.4 inch

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Photography, 24h du Mans 1970-La MS 660 n°31de Beltoise et Pescarolo à une roue de la Porsche 917K n°23 d’Attwood et Herrmann, 13 juin 1970., Jacques Violet

24h du Mans 1970-La MS 660 n°31de Beltoise et Pescarolo à une roue de la Porsche 917K n°23 d’Attwood et Herrmann, 13 juin 1970.

Jacques Violet

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, 24h du Mans 1970-La Porsche 917 LH n°3 de G. Larrousse et Willi Kauhsen suivie par la Chevron B16 de C. Baker et D. Martland. 13 ou 14 juin 1970., Jacques Violet

24h du Mans 1970-La Porsche 917 LH n°3 de G. Larrousse et Willi Kauhsen suivie par la Chevron B16 de C. Baker et D. Martland. 13 ou 14 juin 1970.

Jacques Violet

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, Corps raccords - Série 1, image 4/7, Sarah Salazar

Corps raccords - Série 1, image 4/7

Sarah Salazar

Photography - 60 x 40 cm Photography - 23.6 x 15.7 inch

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Photography, La femme sans tronc, Pierre Gély-Fort

La femme sans tronc

Pierre Gély-Fort

Photography - 30 x 20 x 0.1 cm Photography - 11.8 x 7.9 x 0 inch

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Photography, E3, Jean-Paul Veison Marcelli

E3

Jean-Paul Veison Marcelli

Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch

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Photography, Leviathan, Kramer O'Neill

Leviathan

Kramer O'Neill

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, Weisshorn – Bishorn, Thomas Crauwels

Weisshorn – Bishorn

Thomas Crauwels

Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch

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Photography, Dent Blanche – Halo, Thomas Crauwels

Dent Blanche – Halo

Thomas Crauwels

Photography - 90 x 135 x 1 cm Photography - 35.4 x 53.1 x 0.4 inch

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Photography, Parfum d'automne, Jean-Michel Landon

Parfum d'automne

Jean-Michel Landon

Photography - 30 x 20 x 0.1 cm Photography - 11.8 x 7.9 x 0 inch

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Photography, Eczéma domestique 8, Thomas Deschamps

Eczéma domestique 8

Thomas Deschamps

Photography - 40 x 30 x 0.2 cm Photography - 15.7 x 11.8 x 0.1 inch

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Photography, Mao Library, Catherine Henriette

Mao Library

Catherine Henriette

Photography - 40 x 50 cm Photography - 15.7 x 19.7 inch

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Photography, Un charcutier plein d’imagination et une cliente perplexe, Paris, années 1950, Maurice Bonnel

Un charcutier plein d’imagination et une cliente perplexe, Paris, années 1950

Maurice Bonnel

Photography - 40 x 30 x 0.2 cm Photography - 15.7 x 11.8 x 0.1 inch

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Photography, The Horse, The Man, The Photographer, Kamal Obat

The Horse, The Man, The Photographer

Kamal Obat

Photography - 58.4 x 46.7 x 2.5 cm Photography - 23 x 18.4 x 1 inch

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Photography, Instruments of unity, Kamal Obat

Instruments of unity

Kamal Obat

Photography - 54.6 x 83.8 x 2.5 cm Photography - 21.5 x 33 x 1 inch

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Photography, The Scent of Rain, Kamal Obat

The Scent of Rain

Kamal Obat

Photography - 58.4 x 45.7 x 2.5 cm Photography - 23 x 18 x 1 inch

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Photography, La barre, Alexane Leprieult

La barre

Alexane Leprieult

Photography - 20 x 36 x 2 cm Photography - 7.9 x 14.2 x 0.8 inch

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Photography, Eczéma domestique 2, Thomas Deschamps

Eczéma domestique 2

Thomas Deschamps

Photography - 30 x 40 x 0.2 cm Photography - 11.8 x 15.7 x 0.1 inch

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Photography, Petites filles goranes, José Nicolas

Petites filles goranes

José Nicolas

Photography - 30 x 40 x 1 cm Photography - 11.8 x 15.7 x 0.4 inch

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Photography, Menton, José Nicolas

Menton

José Nicolas

Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch

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Photography, 005- American Circus Paris, José Nicolas

005- American Circus Paris

José Nicolas

Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch

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Photography, 001-American Circus Paris 1985, José Nicolas

001-American Circus Paris 1985

José Nicolas

Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch

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Photography, Alpinistes sur l’Ober, Thomas Crauwels

Alpinistes sur l’Ober

Thomas Crauwels

Photography - 90 x 180 x 1 cm Photography - 35.4 x 70.9 x 0.4 inch

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Photography, Matterhorn/Cervin – Obergabelhorn – Dent d’Hérens, Thomas Crauwels

Matterhorn/Cervin – Obergabelhorn – Dent d’Hérens

Thomas Crauwels

Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch

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Photography, Massif du Mont Blanc, Thomas Crauwels

Massif du Mont Blanc

Thomas Crauwels

Photography - 90 x 180 x 1 cm Photography - 35.4 x 70.9 x 0.4 inch

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Photography, Panorama sur le Mont-Blanc, Thomas Crauwels

Panorama sur le Mont-Blanc

Thomas Crauwels

Photography - 70 x 210 x 1 cm Photography - 27.6 x 82.7 x 0.4 inch

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Photography, Grandes Jorasses, Thomas Crauwels

Grandes Jorasses

Thomas Crauwels

Photography - 100 x 150 x 1 cm Photography - 39.4 x 59.1 x 0.4 inch

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Photography, Alpinistes depuis le Mont-Blanc, Thomas Crauwels

Alpinistes depuis le Mont-Blanc

Thomas Crauwels

Photography - 100 x 150 x 1 cm Photography - 39.4 x 59.1 x 0.4 inch

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Photography, Les chats de Schrödinger (10), Arthur Di Nunzio

Les chats de Schrödinger (10)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (1), Arthur Di Nunzio

Les chats de Schrödinger (1)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (8), Arthur Di Nunzio

Les chats de Schrödinger (8)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (7), Arthur Di Nunzio

Les chats de Schrödinger (7)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (6), Arthur Di Nunzio

Les chats de Schrödinger (6)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (5), Arthur Di Nunzio

Les chats de Schrödinger (5)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger  (4), Arthur Di Nunzio

Les chats de Schrödinger (4)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (3), Arthur Di Nunzio

Les chats de Schrödinger (3)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Les chats de Schrödinger (2), Arthur Di Nunzio

Les chats de Schrödinger (2)

Arthur Di Nunzio

Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch

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Photography, Zinalrothorn – Weisshorn, Thomas Crauwels

Zinalrothorn – Weisshorn

Thomas Crauwels

Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch

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Photography, Weisshorn, Thomas Crauwels

Weisshorn

Thomas Crauwels

Photography - 120 x 80 x 1 cm Photography - 47.2 x 31.5 x 0.4 inch

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Photography, Weisshorn, Thomas Crauwels

Weisshorn

Thomas Crauwels

Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch

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Photography, Dents du Midi, Thomas Crauwels

Dents du Midi

Thomas Crauwels

Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch

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Photography, Dent du Midi – Forteresse et Cathedrale, Thomas Crauwels

Dent du Midi – Forteresse et Cathedrale

Thomas Crauwels

Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch

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Photography, Cîme de l’Est, Thomas Crauwels

Cîme de l’Est

Thomas Crauwels

Photography - 180 x 90 x 1 cm Photography - 70.9 x 35.4 x 0.4 inch

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Photography, Dents du Midi, Thomas Crauwels

Dents du Midi

Thomas Crauwels

Photography - 90 x 132 x 1 cm Photography - 35.4 x 52 x 0.4 inch

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Black and White Photography for Sale

Black and white photography is today one of countless photographic techniques and yet it was at one time the only type of photography available. This is the reason why it often tends to be associated with historical works and a vintage feel.

In the 1830s, Nièpce discovered how to print images onto metal plates. When he died in 1833, Louis Daguerre, followed by Francois Arago, continued to develop his research, resulting in the invention of the daguerreotype which consisted of an image printed onto a silver plate when exposed to the light. Together they invented photography.

The first black and white photos began to appear. Initially used for research purposes, photography started to spread as daguerreotype studios opened everywhere. Black and white portraits immortalized the faces of the upper middle classes and would later be used to capture all members of society. Celebrities were also a popular subject choice and many photographers specialized in taking their portraits, as Jean-Loup Sieff did all throughout his career almost a century after the invention of photography.

The first colored photographs soon followed. The technique was invented as early as 1860 but was not put to use until a century later. In the meantime, many unforgettable artists began to demonstrate their talents for art photography. Street photography, for example, was a key trend during the 20th century, with major photographers such as Robert Doisneau, Brassi and Henri Cartier-Bresson capturing the urban landscape of the time. All three were masters of taking candid photos. They succeeded in making fleeting moments last forever in monochrome images. Sometimes humorous, sometimes romantic, or even just a little bizarre, they take us back in time to days gone by. Looking at such rare and fragile moments can be like going through old postcards from the past, and although we enjoy looking at them, they can provoke a sense of nostalgia and melancholy.

In the United States, the humanist Walker Evans led the way for black and white photography, capturing the daily life of modern America with his analogue camera, whether it be in the New York subway or on the highways of the Deep South. A little later, Robert Frank photographed the faces of America and the American people with his remarkable black and white shots, recognizable thanks to his highly distinctive photographic technique and composition.

Of course, black and white photography is not limited to the representation of everyday scenes. It can also sublimate landscapes, as demonstrated by Kasra's shots. The black and white blend perfectly with the long exposure to create an effect of softness, floating and the passage of time quite exceptional. We could also mention Michael Kenna and Ricky Cohete who particularly excel in this field.

Some works fascinate by the perfect complementarity of these two colors: black, which is often associated with nothingness and sadness, and white, which is associated with light and hope. In the West at least, because it can have a completely opposite meaning in other cultures like Japan. The union of these two shades accentuates the contrasts and highlights the forms in a sober and elegant way. It often directs our attention to a single subject.

Often used to provoke a feeling of nostalgia, black and white unconsciously inscribes the works in history by conveying a timeless message, frozen in time.

Artsper invites you to take a stroll through time with this selection of works by Brno Del Zou, Yevgeniy Repiashenko, Emmanuelle Barbaras, Bert Stern, Alexander Benz and Hervé Gloaguen.

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Need help with Black and White Photography ?

What does black and white mean in photography?

In photography, black and white means that all color has been removed from the image, leaving just shades of gray that span from black to white. This can either be done digitally or by using black and white film. 

What is good about black and white photography?

Many photographers and artists use black and white photography because it removes the distraction of color from an image. This can draw more focus to elements of the image such as the facial expression or gesture of the subject, the composition, or the shapes and textures.

What techniques are used in black and white photography?

Black and white photography is generally shot using the same equipment as color photography (although if film, using black and white film), but artists may optimise their results by looking for high contrast images, light sources, and interesting textures.