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GALERIE LISE CORMERY

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Asia Post-War School of Paris 1945-1999

PARIS From January 18, 2024 to August 20, 2024

Presentation

Asian art from the Post-War Paris School.
Post-War Paris School of Asia.
Lise Cormery Gallery, Paris.

“Contrary to popular belief, Asian art is not uniform; it contains treasures of originality, certainly less salesy and easier to understand than stereotypical art. Whether they are dedicated to abstraction or figuration, most often they still magnificently master the freehand technique which allows them to draw the most complex and regular shapes that one can imagine without help. of any tool, only the hand, the brain, the brush or the pencil are at work. We are far from the West's disaffection for the art of the masters, when young painters or sculptors imagine that Rodin's Balzac did not require a myriad of drawings to convey to our eyes the strength and majesty of the character.
We can wonder why these art adventurers left their distant country to reach Paris. They chose Paris for reasons most often political and economic, but also artistic. These oriental scholars came from Asia in search of Western artistic knowledge and an art market then abundant and dynamic, which was not yet 'commodified' in games of economic power closely linked to politics. the lowest. These art researchers also came attracted by the aura of Paris and its generous welcome towards artists, whether gallery owners who did not pay for their services and trusted their faithful friends, the collectors, then erudite and keen artists who adopted the works of the newcomers to adorn the walls of their homes.
Likewise, the government inaugurated with Malraux in 1964 a generous policy with Social Security which was not based on income and opened workshops for them for modest sums, thus Akagi benefited from a magnificent workshop with a terrace which overlooked the 15th arrondissement. of Paris even if he wrote “misery”. But “1984” will cut short this windfall. However, a hard worker with his wife, he soon had an apartment on rue Croix Nivert to store his paintings.
Permanently exhibited at the Gallery of Lise Cormery who wrote her Catalog Raisonné, they were going to choose new paintings there for their “Akagi Biennales” from 1990 until 2005, where Jean-Marc Léri, Chief Curator of the Carnavalet Museum, organized a magnificent retrospective at the Musée du Parvis de Notre Dame in parallel with that of the Galerie de Lise Cormery and, let us give thanks to Director Léri if the Musée Carnavelet has a magnificent collection of Akagi, made up of more than a hundred works.
Akagi loved spending Christmas with his family with Lise Cormery and her son Arnaud, whom he painted after the death of the painter Gilles Cormery. But our memories are fading and we have forgotten that Japan was devastated at the time, which is why Kojiro Akagi left for Paris, of which he would become a marvelous witness, a great painter and fine scholar.
Akagi left us with regret in 2020, but, very sadly, from his beyond, when Akagi joins his faithful wife who he missed so much, he will see his children, his dear paintings; even those in gestation who never left his workshop where he resided and worked day and night; stolen by highway bandits, perfidious “friends”, who had hardly set foot there during his lifetime. His Japanese family fortunately alerted the OCBC who will soon find his watercolors and oils which will return to his Japanese land where he was born and died, after having loved Paris, passionately, madly.

All artists featured in this exhibition are in international museum collections. These include Key Hiraga, Kato Hajime and Kojiro Akagi from Japan with more than a hundred works at the Carnavalet Museum in Paris; Chen Chin and Liu Yang Jer in the collection of the Taipei Museum in Taiwan; Zhu Xinjiang, Xu Beihong, Ma Desheng, Li Shuang from the People's Republic of China; Ha Indoo and Riu Min Ja, Moon Chin, Li Jae Yong, Kim Han, present at the MMCA Museum of Modern and Contemporary Art in Seoul, and the South Korean Delegation of the Paris Arts Olympiad; Kam Zin Choon and Min in the collection of the National Museum of Singapore.
The Paris Arts Olympiad exhibitions of 1991 and 1992 also made it possible to present the excellence of South Korean art for several months with a large artistic delegation. This international event under the Presidency of President François Mitterrand, the Mayor of Paris Jacques Chirac, Juan Antonio Samaranch, President of the International Olympic Committee, and Nelson Paillou President of the French National Olympic and Sports Committee was organized for the CNOSF by the Galerie de Lise Cormery.
He was preceded in Paris in 1990 and 1991 with Les Jeux de l'Avenir de Paris organized by the Galerie Lise Cormery for the CNOSF with the exhibition of the great internationally renowned artist of kinetic and optical art from the School of Paris from Venezuela, Asdrubal Colmenarez.
The Paris Arts Olympiads of 1991 and 1992 followed the Seoul Arts Olympiads of 1988 where the city created for this occasion a painting museum and a museum of monumental outdoor sculptures, the SOMA, where one can still admire a monumental sculpture by Moon SHIN, who represented South Korea and Asdrubal Colmenarez, among all the invited artists, who came from all over the world to exhibit and represent 20th century art. This happy initiative thus made it possible to reconnect on a large scale with the ancestral tradition of the Olympic Games of yesteryear Greece where the artistic competitions were parallel to the sporting games, this in accordance with the wishes of Pierre de Coubertin, its initiator in the 20th century.
All these artists then came from very far away to discover Paris, then the City of Light, which has since become the City of Dust. The Lighthouse of Arts that was Paris is no longer, the play of powers has done its work even if a few enthusiasts still resist. However, South Korea and China are now the new Eldorados for artists seeking museum collections.
Taiwan is not forgotten with Chen Chin, master of grassy calligraphy who paints horses literally alive on oriental paper. In 1987, they ran on rollers several meters long along the white walls of Lise Cormery's gallery. Liu Yang Jer, more restrained, more geometric, plays on innovation and tradition like the many Chinese artists exhibited since 1986, who will be part of the “Tradition and Innovation” exhibition at the Beaubourg Center Pompidou Museum and at the same time at the Lise Gallery Cormery in 1987 with the art critic and sinologist expert Christophe Comentale. »
“The 2024 exhibition at the Lise Cormery gallery presents the works of Asian artists, most of them part of the Paris Arts Olympiad exhibitions in 1991 and 1992, including Boong Hyun Choi, South Korea | 1941; Chen Chin, China | 1930; Choi TAI SHIN, South Korea | 1940; Chung Ha MIN, South Korea | 1938; Cui ZHENG ZHI, South Korea | 1950; Deok Hyu Choi, South Korea | 1922; Dhali Al-Mamoon, Bangladesh | 1958; E. X Jing, Singapore | 1920;
Geeta Dass, India | 1963; Guang Jun, China | 1938; Ha In-Doo, South Korea | 1930; Hajime Kato, Japan | 1925; Ho Sook, South Korea | 1940; Ikage, Japan | 1950; Jeong kyu lee, South Korea | 1940; Joung Soo KIM, South Korea | 1940; Jun Myung Ja, South Korea | 1942; K. Nakata, Japan | 1950; Kam Zin Choon, Singapore | 1931; Katsunori Hamanishi, Japan | 1949; Kenji, Japan | 1958; Key Hiraga, Japan | 1936 – 2000; Kim Han, South Korea | 1938; Kim Han Chang, South Korea | 1945; Kim Joo-young, South Korea | 1948; Kim Young joo, South Korea | 1940; Kojiro Akagi, Japan | 1934; Kong Ok Sim, South Korea | 1950; Kuk-Jin Kang, South Korea | 1939; Kwan Soo Park, South Korea | 1950; Li Ja-gyong, South Korea | 1943; Liu Yang Jer, Taiwan | 1944; Lu Chong Min, Singapore | 1933; Mr. Sakai, Japan | 1940; Ma Desheng, China | 1952; Man Soo Park, South Korea | 1942; Ruy Min Ja, South Korea | 1942; Min Park, South Korea | 1940; Minoru Kano, Japan | 1930; Moon Jang chull, South Korea | 1945; Moon shin, South Korea | 1923; Myung Ja chun, South Korea | 1939; Oh Choon ran, South Korea | 1938; Oh Kyung hwan, South Korea | 1941; P. Chang, South Korea | 1930; Park Hang do, South Korea | 1939; Ryu Hu rial, South Korea | 1940; Shim sang ok, South Korea | 1940; Song Jiha, South Korea | 1939;
Sung Soo Kwak, South Korea | 1950; Surk Wham Park, South Korea | 1961; Tetsuo Araki, Japan | 1937; Utagawa Kunisada Toyokuni III, Japan | 1800; Wu Biduan, China | 1926; Xu Beihong, China | 1895 – 1953; Y CHOO, South Korea | 1938; Y Kumanda, Japan | 1938; Yo Ichikawa, Japan | 1929; Yoo Ha song, South Korea | 1939; Young-Joo KIM, South Korea | 1920; Zhu Xinjian, China | 1953.”

Excerpt from “The Post-War Paris School (1945-1999) Artistic and political history”, Lise Cormery, Michelangelo publications, Paris 2021, Reissue 2024.

Address

Details

6, rue de Lanneau
75005, PARIS
France

Artworks Artists

1979 KIM HAN MMCA Museum Collection Geometrical Abstraction Rayures Peinture à main levée Stripes Hand Free painting and ink

LI JAGYONG 1991 Monotype MMCA Museum Modern Contemporary Art Seoul 22.5 x 311990 LI JAGYONG MMCA Museum Modern Art Seoul Géométrique Geometrical

1/2 1 2

Key Hiraga

Japan

Xu Beihong

China

Wu Biduan

China

Guang Jun

China

M. Sakai

Japan

Yo Ichikawa

Japan

Surk Wham Park

South Korea

Katsunori Hamanishi

Japan

Zhu Xinjian

China

Kenji

Japan

Kojiro Akagi

Japan

Lu Chong Min

Singapore

Kam Zin Choon

Singapore

Chen Chin

China

Liu Yang Jer

Taiwan

Li Ja-gyong

South Korea

Min Ja Ryu

South Korea

Ha IN-DOO

South Korea

JEONG KYU LEE

South Korea

Chung Ha MIN

South Korea

Kwan Soo PARK

South Korea

Boong Hyun Choi

South Korea

Min PARK

South Korea

Deok Hyu Choi

South Korea

KIM Joo-young

South Korea

SHIM SANG OK

South Korea

Park HANG DO

South Korea

Choi TAI SHIN

South Korea

Young-Joo KIM

South Korea

Kong Ok Sim

South Korea

Kuk-Jin Kang

South Korea

Cui ZHENG ZHI

South Korea

Joung Soo KIM

South Korea

Kim HAN

South Korea

Tetsuo Araki

Japan

Ho Sook

South Korea

Kim YOUNG JOO

South Korea

Ma Desheng

China

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Categories

Subcategories

Soleil levant 1979 Rising Sun. Soleil levant sur la montagne, Rising sun on mountains

Amis, Friends, 1980 by HOSOOK

BULGAKOV Pouvoir et Amis au Bal des Damnés Paris Art Olympiads 1991 1992

Désolation 1972 Desolation

1982 KIM HAN MMCA Museum Collection Geometrical Abstraction Pure 1982

Noir de velours 1972 Velvet Black

La source 2006 Source of life

Ma tête II 1986 My head II

MY PHOTO Olympiades des Arts Paris 1991 1992

KIM Youngjoo "Myth" MMCA MUSEUM COLLECTION Coeur 1991 Heart

Femme nue debout 1988 Nude standing woman

1988 Femme nue Nude woman

Homme Oiseau Jaune 1984 Yellow Man Bird

Composition 81

1981 Composition II

1978 Abstraction

Belle Sirène Sweet green Siren Queen Elisabeth II Collection British Museum Musée de Sèvres Collection

Fenêtre sur la liberté Freedom Window

1979 Violet Orange Purple Grey Abstraction

1979 Grey Purple Orange Abstraction en Gris et Violet

Abstraction en Bleu rouge noir 1979 Blue, Red, Black Abstraction

Abstraction Rouge Bleue 1979 Red Blue Abstraction

1979 Paysage Photo Peinte au sable Landscape

Blue Portrait 1979 Collection MMCA National Museum Modern Contemporary Art Seoul

1981 PARK KWONSOO Un-Title N° 3 Collection MMCA Museum Modern Contemporary Art, Seoul South Korea

1981 Un Title N° 1 Collection Museum Modern Contemporary Art Seoul, South Korea

1981 Un Title N° 2 Collection Museum Modern Contemporary Art Seoul, South Korea

1979 Child PARIS OLYMPIADS 1991 1992

Dans les Champs 1978 in the Fields

Poème Lyrique 1979 Lyrical Poetry

1978 Porte pour l'éternité Eternity Door MMCA Collection Museum Modern Contemporary Art SEOUL SOUTH KOREA

1978 HA INDOO Eternity door MMCA Collection Museum Modern Contemporary Art SEOUL SOUTH KOREA

RIU Minja Bouddhas 1979 MMCA Collection Museum Modern Contemporary Art Seoul

RYU Minja 1978 Monde Temples World Collection MMCA Museum Modern Contemporary Art Seoul

RYU MINJA 1978 Arbres Temples Trees Collection MMCA Museum Modern Contemporary Art Seoulum

1979 KIM HAN MMCA Museum Collection Geometrical Abstraction orange

1979 KIM HAN MMCA Museum Collection Geometrical Abstraction Rayures Peinture à main levée Stripes Hand Free painting and ink

1980 KIM HAN MMCA Museum Collection Geometrical Abstraction Ondes noires et blanches White and black waves

1979 KIM HAN MMCA Museum Collection Vert Bleu Jaune Rouge Art GéométriqueGeometrical Abstraction Green Blue Yellow Red

1979 KIM HAN MMCA Museum Art Moderne Seoul Collection Art Géométrique Carrés argent Silver Squares Geometrical Art

1979 KIM HAN MMCA Museum Collection Multicolore Multicolor Geometrical Abstraction

1982 KIM HAN MMCA Museum COLLECTION 1982 The multicolored big square Geometrical Abstraction

1981 KIM HAN MMCA Museum Collection 1981 Blue Squares Geometrical Abstraction

LI JAGYONG 1992 MMCA Museum Modern Contemporary Art Seoul South Korea Composition

LI JAGYONG 1991 Monotype MMCA Museum Modern Contemporary Art Seoul 22.5 x 311990 LI JAGYONG MMCA Museum Modern Art Seoul Géométrique Geometrical

Pierres 1988 Stones

National Museum of Taiwan Collection 1980 Tradition

Nouvel An Chinois 1988 Chinese New Year Taiwan Taipei National Museum Union

1979 Chevaux Horses

LI JAGYONG 1991 Monotype MMCA Museum Modern Contemporary Art Seoul

1957 Abastraction 1

1957 Abstraction 2

1958 Parisienne au fauteuil Parisian on a chair MUSEUM SINGAPOUR Collection

1955 Joueur de BANJO Player

1955 Village Au bord de l'eau By the water

1956 Cactus

1957 Abstraction 3

1956 L'Oeil The Eye

1953 Plante et lune rouge Red moon and plant

1953 Elan Moose

Key Hiraga

Xu Beihong

Wu Biduan

Guang Jun

M. Sakai

Yo Ichikawa

Surk Wham Park

Katsunori Hamanishi

Zhu Xinjian

Kenji

Kojiro Akagi

Lu Chong Min

Kam Zin Choon

Chen Chin

Liu Yang Jer