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Jusqu'à la lie - série objets détournés
Jackie Spaeter
Painting - 90 x 30 x 2 cm Painting - 35.4 x 11.8 x 0.8 inch
$561
Trois merveilles - série Végétal
Jackie Spaeter
Painting - 70 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
$729
Abstract Horizone - Diamond Series K1GR4
Roger König
Painting - 120 x 80 x 2 cm Painting - 47.2 x 31.5 x 0.8 inch
$14,753
Sunny St Louis
Alain Le Garsmeur
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$510
Savannah Façade
Alain Le Garsmeur
Photography - 25 x 30 x 0.1 cm Photography - 9.8 x 11.8 x 0 inch
$381
Santa Maria Smoke
Alain Le Garsmeur
Photography - 25 x 30 x 0.1 cm Photography - 9.8 x 11.8 x 0 inch
$381
San Francisco Escapes
Alain Le Garsmeur
Photography - 30 x 25 x 0.1 cm Photography - 11.8 x 9.8 x 0 inch
$381
Horse Paddock - Limited Edition Archival Pigment Print
Alain Le Garsmeur
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$510
Abstract Green Elegance Part 2 LPT2
Roger König
Painting - 130 x 100 x 2 cm Painting - 51.2 x 39.4 x 0.8 inch
$14,585
Landscape with river and bridge
Harrie Sijbers
Painting - 80 x 120 x 2 cm Painting - 31.5 x 47.2 x 0.8 inch
$3,814
Love l’herbe
Yohan Storti
Fine Art Drawings - 35 x 25 x 0.1 cm Fine Art Drawings - 13.8 x 9.8 x 0 inch
$471
Sea Horse
Alexandra Kapogianni-Beth
Sculpture - 30 x 42 x 9 cm Sculpture - 11.8 x 16.5 x 3.5 inch
$3,422
Dondolando tra le stelle
Alexander Daniloff
Painting - 45 x 30 x 0.2 cm Painting - 17.7 x 11.8 x 0.1 inch
$348
Guy de Maupassant - portrait perfectionné
Valerio Adami
Print - 21 x 13 x 1 cm Print - 8.3 x 5.1 x 0.4 inch
$325
La solitude n'existe pas
Pierre Gély-Fort
Photography - 60 x 80 x 0.2 cm Photography - 23.6 x 31.5 x 0.1 inch
$1,346
Les robots à cocktails
Pierre Gély-Fort
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$898
L'embarquement
Pierre Gély-Fort
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$898
008- Série Les petits peuples de Sibérie
Jacques Langevin
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$1,346
007-Les petits peuples de Sibérie
Jacques Langevin
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$1,346
006- Les petits peuples de Sibérie
Jacques Langevin
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$1,346
005- Les petits peuples de Sibérie
Jacques Langevin
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$1,346
002-Les petits peuples de Sibérie
Jacques Langevin
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$1,346
Noce dans le Berry, L'épreuve du feu, gage de longévité
Pierre Boulat
Photography - 30 x 40 x 0.3 cm Photography - 11.8 x 15.7 x 0.1 inch
$841
Cross my heart and hope to die
Rossella Mercedes
Fine Art Drawings - 42 x 29.7 x 0.1 cm Fine Art Drawings - 16.5 x 11.7 x 0 inch
$309
Pêcheur de Loire
Dominique Jullien
Photography - 13 x 30 x 1 cm Photography - 5.1 x 11.8 x 0.4 inch
$337 $303
Daisies - digital still life
Nadezhda Oleg Lyahova
Print - 135 x 300 x 0.3 cm Print - 53.1 x 118.1 x 0.1 inch
$3,366
Éphémère Sensualité #2
Tanguy Mendrisse
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$213
Maeduep: An aubergine. Candle sconce / Backflow Incense
WKND Lab
Design - 102.9 x 43.9 x 18.8 cm Design - 40.5 x 17.3 x 7.4 inch
$1,760
Maeduep; A Cicada. Candle sconce / Backflow Incense Burner
WKND Lab
Design - 105.9 x 34.8 x 18.8 cm Design - 41.7 x 13.7 x 7.4 inch
$1,760
Keep your vibrations high
Michele Lysek
Painting - 130 x 100 x 3 cm Painting - 51.2 x 39.4 x 1.2 inch
$4,824
Orage blanc
Jean-Pierre Fleury
Photography - 140 x 210 x 3 cm Photography - 55.1 x 82.7 x 1.2 inch
$8,257
Nature morte
Serge Plagnol
Fine Art Drawings - 50 x 65 x 0.1 cm Fine Art Drawings - 19.7 x 25.6 x 0 inch
$561
A tempest
Joseph Adolphe
Painting - 218 x 183 x 4 cm Painting - 85.8 x 72 x 1.6 inch
$41,959 $35,665
A longing no. 17
Joseph Adolphe
Painting - 183 x 183 x 4 cm Painting - 72 x 72 x 1.6 inch
$38,369 $32,614
A longing no. 14
Joseph Adolphe
Painting - 203 x 182 x 4 cm Painting - 79.9 x 71.7 x 1.6 inch
$40,388 $34,330
Couronnement de l'amour
Yousra Hamraoui
Painting - 80 x 130 x 3 cm Painting - 31.5 x 51.2 x 1.2 inch
$1,346
Edwina Wishes that Eloise would Stop Playing
Brian Nash
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$2,400
Fluctus Lumen Métamorphose III
Murielle Argoud
Painting - 150 x 100 x 4 cm Painting - 59.1 x 39.4 x 1.6 inch
$15,707
Femme cheval crie
Caroline Crozat
Fine Art Drawings - 40 x 30 x 0.1 cm Fine Art Drawings - 15.7 x 11.8 x 0 inch
$561
Virement de bord - Paysage marin et voiliers
Anne-Marie Bernardi
Painting - 100 x 50 x 2 cm Painting - 39.4 x 19.7 x 0.8 inch
$841
A vol d'oiseaux 2 - Paysage marin et voiliers
Anne-Marie Bernardi
Painting - 100 x 50 x 2 cm Painting - 39.4 x 19.7 x 0.8 inch
$841
Avec le chat - Scène de vie art brut
Luco
Painting - 65 x 46 x 2 cm Painting - 25.6 x 18.1 x 0.8 inch
$561
Sans Titre
Blondin91
Fine Art Drawings - 50 x 65 x 0.2 cm Fine Art Drawings - 19.7 x 25.6 x 0.1 inch
$1,346
Hide & seek Diptych
Newel Hunter
Painting - 101.6 x 152.4 x 2 cm Painting - 40 x 60 x 0.8 inch
$7,600
No time for reflection
Newel Hunter
Painting - 91.4 x 121.9 x 3.8 cm Painting - 36 x 48 x 1.5 inch
$5,950
Face to Face Diptych
Newel Hunter
Painting - 101.6 x 152.4 x 2 cm Painting - 40 x 60 x 0.8 inch
$7,700
Sweet Dreams
John Clement
Sculpture - 29.2 x 29.2 x 1.3 cm Sculpture - 11.5 x 11.5 x 0.5 inch
$3,500
Parisian-Night-Tuileries-Mary Go Round n°6
Pascal Therme
Photography - 50 x 70 x 0.4 cm Photography - 19.7 x 27.6 x 0.2 inch
$841
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!