Khadija, 2026
Fine Art Drawings : Watercolour, ink, paper · 55 x 30 x 0.1 cm 21.7 x 11.8 x 0 inch
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Shipped from: Italy
Delivery to: United States , $ 89
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Technique & Support
Watercolour , ink , paper on paper
Dimensions ( cm • inch )
55 x 30 x 0.1 cm 21.7 x 11.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
An evocative exploration of the human condition. This artwork blends watercolor and ink with a haunting precision. A face emerges from a storm of earthy ochres and deep browns. The composition balances chaos and serenity. Soft pink tones illuminate the skin. A single floral element blooms at the center of the lips. This poetic detail transforms the portrait into a symbolic garden.
The artist utilizes a fluid mastery of line. Elements of the figure dissolve into the void. The boundary between the real and the imaginary disappears. Ink splatters add a raw, emotive energy to the paper. This piece reflects a dreamlike state. It captures a fragile moment of introspection. The gaze remains veiled and mysterious. Rich textures create a sense of depth and atmospheric tension. The palette transitions from cold whites to warm, organic shadows. Every brushstroke suggests a search for inner peace. The final result is a fragile balance between structure and abstraction. It concludes on a note of chromatic delicacy.
Presentation
Born in 1962 in Tunisia, Zied Lasram grew up in the sacred village of Sidi Bou Saïd, among saints, poets, and cats—completely indifferent to the hordes of tourists to whom he sold his watercolors. It was there that he opened his first studio—“a lair of encounters," as his friend Mahmoud Chalbi describes it, “where passing princesses, poet-artists, village eccentrics, bourgeois souls in search of belonging, and enlightened spirits from all horizons would mingle."
In 1991, he obtained a Master's degree in Art Sciences and Techniques, with a specialization in Graphic Design, at the Institut Technologique d'Art d'Architecture et d'Urbanisme de Tunis.
But this dreamer has ants in his brush. He multiplies his stops, moving from studio to studio—from La Soukra to La Marsa, then to Gammarth—until he finally arrives in Djerba, where, as he well knows, the air is so gentle it keeps one from dying. More importantly, it is where he finds the peace and serenity he had always lacked.
It was in some obscure ornithology manual that he discovered the bird Calliste: a bird that resembles him—joyful, delightfully colorful, with a shimmering beauty that enchants and a song that is pure poetry.
That is Zied Lasram: a free spirit who knows no boundaries of time or space, an artist from a bohemia that no longer exists—not even in the art world. A talented visual artist, he seeks, discovers, changes course, and returns to a path he never consciously chose, but which is unmistakably his own.
There, on that blissful island—an indistinct universe open to the wide winds, on the edge of the real and the imaginary—Zied Lasram creates a world where flower-women speak with whistling birds, in an enchanted Eden. As dreamlike as his inspiration may be, Zied Lasram nevertheless maintains a mastery of line, technical ease, fluid movement, and a delicacy of color. Calliste, his companion, is a bird that suits him perfectly.
He has been collaborating with the Tobian Art Gallery since 2025. He has exhibited in France, Switzerland, Italy, and Tunisia, and has participated in the Art Fair in Basel. His work is part of private collections around the world.
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