Floating N.2, 2025
Zied Lasram  

Painting : oil · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch

CHF 1,540 1 540 CHF

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Shipped from: Italy

Delivery to: Switzerland , CHF 116

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

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Description

Fluid lines dance across a circular composition. Figures intertwine within an ethereal sphere. The painting evokes a sense of timeless connection. Each profile emerges from a soft, muted palette of grey and gold. Faces mirror one another in a rhythmic cycle of existence. The artist employs a mastery of line to blend human forms into a single organic entity. Shadows shift from deep black to pale cream. The circular frame suggests a cosmic unity or a shared dream. Figures lean toward each other in silent communication. Emotional intimacy radiates from the seamless transitions between shapes. This vision bridges the gap between the real and the imaginary. Serenity guides the brushstrokes. The composition avoids rigid boundaries to emphasize flow and harmony. Each curve leads the eye toward a center of spiritual convergence. This artwork captures a delicate balance of symmetry and organic chaos. The muted tones highlight the purity of the contours. Light settles gently on the overlapping profiles.

Portrait

Abstract art

Circle

Human body

Faces

Beige

Grey

Zied Lasram, Floating N.2

Zied Lasram

Tunisia  • 1962

Presentation

Born in 1962 in Tunisia, Zied Lasram grew up in the sacred village of Sidi Bou Saïd, among saints, poets, and cats—completely indifferent to the hordes of tourists to whom he sold his watercolors. It was there that he opened his first studio—“a lair of encounters," as his friend Mahmoud Chalbi describes it, “where passing princesses, poet-artists, village eccentrics, bourgeois souls in search of belonging, and enlightened spirits from all horizons would mingle."

In 1991, he obtained a Master's degree in Art Sciences and Techniques, with a specialization in Graphic Design, at the Institut Technologique d'Art d'Architecture et d'Urbanisme de Tunis.

But this dreamer has ants in his brush. He multiplies his stops, moving from studio to studio—from La Soukra to La Marsa, then to Gammarth—until he finally arrives in Djerba, where, as he well knows, the air is so gentle it keeps one from dying. More importantly, it is where he finds the peace and serenity he had always lacked.

It was in some obscure ornithology manual that he discovered the bird Calliste: a bird that resembles him—joyful, delightfully colorful, with a shimmering beauty that enchants and a song that is pure poetry.

That is Zied Lasram: a free spirit who knows no boundaries of time or space, an artist from a bohemia that no longer exists—not even in the art world. A talented visual artist, he seeks, discovers, changes course, and returns to a path he never consciously chose, but which is unmistakably his own.

There, on that blissful island—an indistinct universe open to the wide winds, on the edge of the real and the imaginary—Zied Lasram creates a world where flower-women speak with whistling birds, in an enchanted Eden. As dreamlike as his inspiration may be, Zied Lasram nevertheless maintains a mastery of line, technical ease, fluid movement, and a delicacy of color. Calliste, his companion, is a bird that suits him perfectly.

He has been collaborating with the Tobian Art Gallery since 2025. He has exhibited in France, Switzerland, Italy, and Tunisia, and has participated in the Art Fair in Basel. His work is part of private collections around the world.

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