La frange noire, 2022
Painting : acrylic · 32 x 22 x 2 cm 12.6 x 8.7 x 0.8 inch
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 63
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
32 x 22 x 2 cm 12.6 x 8.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work features a portrait of a long-necked human figure, using a bold palette of greens and blues. The face is stylized with geometric features, emphasizing an almost architectural symmetry. The half-closed, expressive eyes are highlighted by intense red eyebrows, creating a striking contrast with the green skin tone. The black hair frames the face in a balanced manner, evoking an elegant sobriety. The background, textured with bluish hues, adds subtle depth, while the green and red clothing blends perfectly with the rest of the palette. The red earrings are delicate details that add a touch of originality. This painting stands out for its modern, minimalist style, while evoking emotional richness and captivating psychological depth.
Presentation
I was born in Saigon, Vietnam. I live and work in Charente-Maritime. I sculpt imaginary characters in stone using the direct carving technique which was transmitted to me in the René Coutelle workshop in Paris. It changed my way of sculpting, my relationship with the material as well as the act of creating. It is at the origin of a new inspiration allowing me to move away from conventional figuration. This allows me to become one with the stone and in this controlled letting go, to animate its apparent inertia, shine after shine, so that its echo responds to my different inner echoes.
I try to translate a vision of reality which takes into account the natural specificities of the block of stone. In this “reorganization of the mineral", I try to account through a dynamic back and forth, this relationship between outside and inside and this in a relationship of proximity or shift, of rupture.
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